Here’s a guest post from Judson Roberts, author of the Strongbow Saga trilogy of Viking novels. Jud had given his assessments of these two eReaders in an e-mail discussion, and on my request kindly agreed to put his observations into a blog post.
You can see a larger version of any image by clicking on it.
Two years ago, digital books, or e-books, were something that relatively few people had any personal experience with. Although e-books had actually been around for a number of years, they’d never really caught on. But in mid-2010, that changed. In the months leading up to Christmas, Amazon significantly reduced the price of its Kindle e-book reader. Sales of the device took off, and in January, when millions of new Kindles became activated, the rate of e-book sales exploded. It has been growing ever since.
E-books can be read on a wide variety of devices, including personal computers, tablet computers, smartphones, and dedicated e-book readers. But the tremendous growth in e-book sales that has occurred in the United States (the rate of e-book sales in overseas markets has not yet seen the same level of dramatic growth) has been, to a large extent, driven by repeated price reductions over the past year of the two most popular and widely used dedicated e-book readers: the Amazon Kindle and the Barnes & Noble Nook, particularly the top of the line Color Nook. In this column, I will offer my personal opinion and experiences with both devices (Why, you might wonder, would I own both devices? I’m an author and have published some of my books as e-books, so I use both devices in part to review my e-book editions prior to releasing them.).
First, their similarities. Neither device is intended by its parent company to be an open source e-reader. By that, I mean that each device is tied to its parent company’s store, and designed to most easily access e-books sold through that store. Unless the user is willing to undertake some work-around steps (which admittedly are not that difficult to do, and which I’ll address in more detail below), a Kindle can easily load and read only Kindle e-books purchased from Amazon; a Nook only Nook books purchased from Barnes & Noble. The actual process of purchasing an e-book is fairly similar for both devices: either on a computer, or directly from the device, you access the parent company’s website, select a book, purchase it (for the devices to be activated when purchased, both require an active account with the parent company), and the book will be sent to your device.
In addition to the parent company’s e-books, it is possible to load documents in various formats, including Microsoft Word and Adobe PDF, onto both devices. The Nook also accepts EPUB files, the mostly widely used e-book format (which Nook e-books are in), and the newer Kindles accept Mobi format files, another e-book format. Thus, if a user acquires or already possesses e-books in the PDF format, they can be manually loaded on either the Kindle or the Nook. Additionally, non-B&N EPUB e-books can be manually loaded onto the Nook, and non-Amazon Mobi format e-books can be manually loaded onto the Kindle. For the present, at least, Kindle readers do not accept EPUB files or books, and Nook Color readers do not accept Mobi files or e-books, or Amazon’s proprietary Kindle format (which is derived from the Mobi format).
Documents and non-Nook e-books are loaded onto the Nook by connecting it via a USB cable (supplied with the device) to a personal computer, and transferring or copying them from the computer to the Nook. Documents and non-Kindle e-books may be loaded onto a Kindle using the same procedure, but Amazon also offers a far easier procedure: each Kindle is assigned an email address, and some formats of documents can simply be attached to an email sent to that address, after which they will appear on the device within minutes. [Luc adds: there’s a free way to do this if you’re willing to receive your documents or eBooks through WiFi only and not through Amazon’s cellular Whispernet by sending it to a @free.kindle.com address: see your Kindle documentation for details. Also note that purchases from Amazon for the Kindle are automatically downloaded to the device.]
The Nook is WiFi only, which means that it cannot connect to the B&N website and acquire and load new books unless it is connected to a WiFi network. The Kindle is available in two different connectivity options: WiFi only, or an always-available connection via 3G cell phone networks. The latter does not require any additional charge or plan for network access and use, but the 3G versions of the Kindle device are more expensive than the WiFi only versions. Both devices, when connected, offer some degree of web browsing capability.
The two devices differ most markedly in how they operate. The Color Nook is a touchscreen device that looks much like a tablet-style computer, and runs on a version of Google’s popular Android operating system, which is widely used in non-Apple smartphones and tablet computers. Indeed, Barnes & Noble has even advertised the Color Nook as the least expensive Android tablet available. That is a dangerous claim to make, although not because of the price. Compared to other Android devices, the Color Nook is either extremely underpowered or its capabilities have been grossly limited by Barnes & Noble’s restrictive control over the device.
The B&N Color Nook versus the free Amazon Kindle app on a smartphone
The Nook versus smartphone comparison raises another flaw with the Nook. One of the great things about smartphones is the numerous apps you can load and use on them. Their variety and functions are almost endless, and there are countless Android based apps available. As an Android device, the Nook should be able to use them, too. But no—Barnes & Noble does allow a few apps, sold through their store, to be installed and used on the Nook, but the selection is limited and is strictly controlled by B&N, in their own inimitable style. For example, Epicurious is an excellent cooking website with numerous recipes that are well organized, easy to search, and are even rated by users. There is a free Epicurious app available for Android smartphones—my wife loves it, and uses it all the time. Barnes & Noble now offers the Epicurious app through their store for the Color Nook, too—but they charge $5.99 for an app that is available free for other Android devices.
The actual Kindle e-book reader is a completely different kind of device than a touchscreen Nook or smartphone. It is controlled entirely by a manual keyboard below the screen and by various manual buttons, all of which are clearly labeled as to what function they perform. While the result may not present as sleek and elegant an appearance as the Color Nook, it works well and is easy to use. If I want to access the menu, I simply press the button labeled “Menu,” then navigate the options than appear onscreen using the multi-directional navigation and select button. If I want to go to the home page, where all books currently loaded on the device are listed and accessible (and from where I can access other Kindle books I’ve purchased, but which are not currently loaded on the device), I press the “Home” button. If I wish to advance to the next page, or go back to the previous one, I press the forward or back buttons located on both sides of the device. The Kindle is like a good tool whose design is based on considerations of function first, and appearance second. I liken it to a hammer that so perfectly fits your hand and is so well balanced that you strike true with it every time. It’s a personal preference, but give me function over flash.
Kindle and
Nook e-book versions, as well as in
print editions).
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Jul 21, 2011
My friend Nancy Fulda‘s collection of science fiction stories, Dead Men Don’t Cry, was recently featured on Why Is My Book Not Selling?, where in addition to comments about the cover and about the title sounding more like detective noir stories than science fiction stories, Vicki (the author of the site) said this:
I was disappointed that the book stared with explanation about the stories. It’s interesting, so I wouldn’t cut it, but I would definitely suggest putting that at the end and starting right away with the strongest story.
This such immediate and powerful sense to me–not just for Nancy’s book, but for most books–that I was surprised I hadn’t come across the idea before. After all, when someone opens a book of short stories, or a novel, or a non-fiction book about ironclads, what they almost certainly are interested in getting is short stories, a novel, or information about ironclads–not the author’s reflections on the importance of the book, the process for coming up with it, gratitude toward dozens of people the reader has never heard of, etc.
I don’t mean that there’s no place for this kind of thing. Personally, I’m often interested in it, but not before I’ve read the main part of the book. I think using afterwords instead of introductions and forewords is a brilliant idea.
Of course, readers can always skip this material–but isn’t there value to a book where, when the reader opens to the first page, there’s something immediately interesting? Further, putting it at the end may get it read more often, as compared with the reader skipping it at the beginning. It also provides the author with a chance to mention some of their other work.
I’ve fallen into the introduction trap myself with my book Bam! 172 Hellaciously Quick Stories*. After all, what’s a more interesting start to a book … ?
INTRODUCTION
Of course I enjoy immersing myself in a really good novel, but sometimes there’s not enough time to wallow properly.
Blah blah blah–who cares what the author enjoys, especially before reading any of his work?
or
THE WAR WITH THE CLOWNS
Sure, there was some temporary anxiety when they took over Trenton and Allentown to carve out their independent nation of Clowninnia, but it soon settled down into a national joke, a prank on a revolutionary scale, a riffing topic for late-night talk show hosts.
This might or might not be your cup of tea, but at least it’s a story!
On a related subject, at a workshop back in 2001, Orson Scott Card advised us attending writers to avoid writing prologues. While my personal point of view is that these can occasionally work well (this may or may not match Card’s opinion), I think by and large no prologue is a smart bet. The typical reason for including a prologue is that the author feels there’s information the reader needs to know about before the story starts. However, it seems that readers are rarely interested in studying up on background information in preparation for reading a story that may or may not turn out to interest them. It would be better to start the story right off and hand out information in an engaging way as you go–even though this is much more difficult than just dumping it at the beginning. Alternatively, have the prologue introduce the central conflict early on in a gripping way. Prologues do seem to work well sometimes, but I believe they should prove they can earn their keep by grabbing the reader’s attention, or else they should go.
*Bam! also suffers from a title that advertises only that the stories are very short, something I was originally thinking might be a prime selling point but which I suspect prevents the book from engaging anyone because there’s nothing in that description that suggests the stories might actually be interesting. I hope to rearrange and retitle the book in the near future.
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Jul 20, 2011
I recently moved out of a house I was renting and am currently wrangling with my former landlord over getting my security deposit back. I’m certainly tempted to denounce him here, to list what I see as his misconduct and wrongdoings in an attempt to show you what a terrible person he is and how justified I am in being upset at him for causing me trouble over this issue. This way, however, lies madness (or at the least, unproductive angryness).
All the ingredients for crazy-making
Honestly, the issue of getting back the money I gave him in good faith is the kind of thing that can easily drive me nuts. It’s a combination of money matters plus uncertainty plus a feeling of being wronged, each of which has its own specialized cohort of broken ideas, things like “I need that money” and “He should stop trying to steal from me!” and “What if I can’t get him to play fair? Will we have to go to court? How long will that take? What kind of evidence will I have to prepare? Will the judge see it in the same light I do, or will I get screwed?” And on and on: fortune-telling, mind reading, “should” statements, magnification, and more broken ideas (see “All About Broken Ideas and Idea Repair“). It’s an ideal formula for driving me up the wall, in recent history running a close second to similar problems with the same landlord while we were still living in the house he owned. (It’s bad enough having someone you feel is untrustworthy is holding onto your money; it’s that much worse to have such a person holding onto your money and in charge of the building in which you and your family live.)
However, this issue is not driving me crazy. While I certainly haven’t quashed every last bit of anxiety about it, it isn’t keeping me awake at night and preventing me from focusing during the day or making me unhappy–nor should it bother me, except to the extent that I may need that to do the things I need to do with the situation. What tactics have I learned that are helping keep me sane?
1. Dig out the broken ideas, and keeping digging
Broken ideas are thoughts that force us deeper and deeper into negative emotions. To clear my mind, I have to witness what I’m thinking, catch the problem thoughts in the act, and then replace them with more useful thoughts.
For instance,
“He’s going to steal my money!”
turns into
“He may or may not take money that I don’t think he should have.” (That’s a twofer: not trying to predict the future and not labeling the situation in a way that makes it sound as bad as possible.)
For me, that rephrasing gives an immediate–though partial–relief. The problem then is that the broken ideas keep cropping up and continue to need to be repaired. The good news is that the more I do this, the sparser and sparser those thoughts become.
2. Stop making my happiness conditional on outside situations
I don’t know if there’s anyone in the world who always gets everything they want, but somehow I suspect even a person like that wouldn’t always be happy. Since sometimes things are going to go my way and sometimes they aren’t, and since making my happiness dependent on something that might or might not happen in the future postpones that happiness indefinitely, it would be smart for me to be happy with whatever I have at the moment–even if discomfort, deprivation, or injustice are involved. It worked for me last night at Taekwondo practice when I was holding a stance and beginning to ache and feel tired from it; it also worked for me this morning when I reminded myself that my happiness doesn’t need to be a hostage to whether or not I get my full security deposit back.
3. Relax, stretch, meditate, move, breathe
Anxiety and stress can accumulate physically in the form of tense muscles, aches, cramped posture, and the like. When I remember to let go physically and mentally, take short walks (see “The Benefits of Quick, Easy, Pleasant Exercise“), breathe deeply, meditate (see “Strengthen Willpower Through Meditation“), and consciously relax my muscles, I begin to feel better both physically and emotionally.
Photo by notsogoodphotography
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Jul 15, 2011
A few weeks ago, Deborah Walker wrote a blog post commenting on my Futurismic article “Critique, Mentors, Practice, and a Million Words of Garbage” in which she asked for (and got) readers’ thoughts on the importance of feedback for her writing. One of the commenters, Joe Romel, protested that “the difference between Tiger Woods and Phil Mickelson isn’t hours spent practicing, okay?”
I agree with Joe: it’s not just raw hours that count; it’s hours of deliberate practice (see “Practice versus Deliberate Practice“). In the Futurismic article, I talk about how Tiger Woods got his start in golf: his father, a professional golf coach, began training him before the age of 2. Tiger got in not only hours on the green, but crucially, tons of expert feedback. By contrast, Phil Mickelson started golf as a toddler too, but under the tutelage of his own father, Phil Mickelson Senior, of whom the best I’ve found said is that he “could play a little golf.” Both grew up and rose to the top of the golfing world, but Woods rose higher. More time on the green? Maybe, but Woods also had much more expert instruction from the beginning.
Compare this to Mozart’s and Salieri’s stories: Mozart was instructed from toddlerhood by his father, whose musical instruction was renowned across Europe; Salieri began learning music at a young age (though likely a few years later in life than Mozart) from his brother, who was a professional violinist but not especially experienced at teaching music or composition. Both rose to among the most well-known musicians of their time, but one vanished in obscurity until he was vilified in a movie about the other.
Applying this to writing, I think the point is not just to write a lot (which is certainly essential to becoming really good), but to get a lot of feedback of the best possible quality.
This relates directly to first readers and critique groups. As Joe says:
Anyway, I’ve done first readers and crit groups, and…well…meh. If you’re lucky enough to find a really good reader, whose opinion you trust and who will be completely honest with you, then great, but otherwise…well…meh. Same goes for critique groups.
Learning from readers who aren’t particularly in tune with what you’re trying to write or from writers who haven’t yet become very good themselves is not likely to be ideal, although it’s better than no feedback at all. It’s also essential to be actively interested in getting and using feedback. I admit, when I hand a story over for critique, what I’m really hoping for is that the reader will rush back to me, breathless and in tears, and insist that I recognize that the story is the best thing ever written in the history of the short story. Sadly, the result sometimes falls a little short of that–but at that point, if I’m going to learn anything, I have to switch from praise acceptance mode to self-examination mode.
My recommendations for feedback for writers are
- Find the best critique group you can,
- Send out work regularly to the publications or publishers you admire most in hopes of getting comments from editors even if you don’t sell the work,
- Discuss writing with people who know what they’re talking about (or find transcripts of such discussions), and
- Read books on writing by writers you respect.
This is more or less what I do myself, and so far so good, though I’m no Mozart or Tiger Woods (well, yet anyway).
Photo courtesy of NASA
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Jul 13, 2011
My writer friend Sylvia Spruck Wrigley (I know, I have a lot of writer friends. It’s kind of cool for me, actually) who maintains the cool handwritten blog Can’t Backspace was recently reading my free eBook (or 99 cent eBook, if you buy it for the Kindle) The Writing Engine and let me know about one of her experiences with it:
I started reading The Writing Engine and got to “Your writing environment” and stopped. The bullet list really made me stop and look around.
So I wrote my thoughts on each point and then went through reorganising. I now have a big bag of rubbish, a clear cabinet in the TV room, an empty file drawer where my camera and peripherals now live instead of on my desk and a clean desk! I have a little mushroom corner with poppets and a bookshelf place of honour for James T. Kirk and a stack of notebooks and a bunch of new pens.
It’s all little things but I feel really good about it!
In case you’re interested, here’s the bulleted section she mentions. It’s followed by specific points to consider.
What could you do to the space where you work that would
- make you happier or remind you of things that make you happy?
- make it easier to concentrate?
- put things more easily to hand or more conveniently out of the way?
- attract you to your work?
- remind you of why you do the work you do? or
- put you in a good mood or a frame of mind to focus?
I was curious to see the details, so asked for a photo, which she obligingly supplied:
She added:
For the full effect, you need to know that the bookshelf was full of books that I rarely refer to and I had to clear the right side of my desk in order to write in a notebook there (in truth, I often got up and moved to the dining room table). I should have taken a before photograph but I didn’t realise how much junk I had!
I filed all my stationary/envelopes in the filing cabinet instead of in the desk drawers and I’ve taken the “desk stuff” that I generally need and put it in the drawers for fast access. I moved almost all of the books into the main bookshelf (which is not very far away) and then just spread around happy things that make me smile.
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Jul 11, 2011
Gustav at the Fiction-Writing Directorate offers this useful-and-weirdly-entertaining post: “The Phrenologist’s Apprentice: The Directorate Guide to Getting Enough Done,” which John Burridge kindly pointed out in comments to a recent post of mine.
The pitfall of the article above is the danger of getting the wrong things done, as described in the post John replied to (“When Being Productive is Just Another Way to Procrastinate“), but it still makes a fair point. Gustav offers this discussion of the pitfall:
“Absurd!” Frederick cried. “Why, if I picked tasks at random—“
“—With synchronicity,” I corrected.
“With synchronicity,” he continued, “how could I ensure that important tasks would get done?”
“I understand your skepticism,” I said. “But it seems to me that you spend all your time weeping and paralyzed, so nothing is getting done, important or otherwise. Is that not true?”
He nodded, ashamed.
“This way, you will achieve at least a modicum of success. However, I suspect you will be pleasantly surprised at how often this method presents you with precisely the right task. Synchronicity, lad.”
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Jul 8, 2011
Too many tasks
One of the problems with having a lot of things to do is that the stress of not doing the rest of your tasks can make it hard to focus on any one task. For instance, if I have edits to complete on a writing project and I also need to finish my bimonthly budget (I keep a budget in a spreadsheet to get a better idea of where my money’s about to go), working on either task can be difficult because I worry about needing to complete the other.
This problem gets much worse when there are a lot more than two things that should be done right away. Having recently taken several vacation days to spend time with family members, I’ve come back to my tasks this week facing just this kind of situation.
Fortunately, there’s a solution: if I can get truly involved and engaged in one task (like writing this post, for instance), my focus on that task can prevent other issues from distracting me. This is a very good solution to the problem, but it contains one pitfall: picking the wrong task.
Picking the wrong task
If I have a list of things that need to be done, and if I notice one that particularly catches my interest, start in on that one, get engaged with it, and see it through to completion, that’s great–unless that task isn’t high on my priority list, in which case it’s progress of a kind, but it’s also preventing me from getting my top tasks finished.
An example: if I have edits one a writing piece that are due tomorrow, checks that need to be sent out today, and an upcoming appointment that needs to be rescheduled, it’s all too easy for me to look at my task list and see an item like “Research Google+” (a useful thing to do in terms of keeping abreast of important social computing and Internet promotion developments) and get caught up in that. As useful as the research may be, by the time I’m done it may be too late to reschedule my appointment, I may not get the checks in the mail on time, and/or I might miss my writing deadline. My productivity has actually caused me harm in this case.
The worst thing about this kind of problem is that it uses some of the best motivational tools and therefore feels really good. While I’m doing the not-important task, I may be getting excited and engrossed. I may be highly productive and focused, all while working on a truly useful task. And yet I’m shooting myself in the foot.
Picking the right task
What’s the solution? Turning my attention to the single most important task I have to do and getting engaged with that instead. Does this mean that my enthusiasm and energy that I’ve just started to put into the lower-priority task are lost? Sadly, yes. Our brains are designed to focus on one thing at a time, and changing tasks generally means getting out of our previous mindset and getting into a new one, which is not a trivial (or instantly reversible) process.
Yet the payoffs of taking care of the most important and/or pressing things first are great, and this kind of change is well worth the effort.
How to change focus to a different task
One good way to quickly get interested in a different task is to do it in very small, easily-tackled steps, not forcing anything. The first question to ask ourselves is “What would the single most beneficial task be that I could do right now, all things considered?” If there are so many tasks that it’s difficult to pick just one, one option is to make a list of the front runners and then pick the top task for the moment from that list–that is, to narrow down the field. It sometimes helps to remind ourselves that we can only really do one thing effectively at a time, so our job is only to focus on the one best choice for the moment.
With that top task chosen, there are a couple of ways to proceed easily, depending on the kind of task. If it’s something that requires a series of known steps, then it can work very well to just ask ourselves “What’s the next small step I would take if I wanted to get this task done now?” Whether it’s taking out a file, looking up a phone number, getting the shovel out of the garage, or opening a document in a word processing program, choosing the smallest possible task makes getting started on that task fairly easy. From there the process can be repeated until we feel engaged and have some momentum.
The other way to proceed, which is helpful for tasks that don’t readily break down into easy steps, is to ask “What would it look like if I were working constructively on this?” Imagining ourselves working on the task activates a lot of the same mental processes we use to actually do the task. Getting focused on the task in this way makes it much easier to get started.
Look to the top
Regardless of how we involve ourselves in our top tasks, the key takeaway is that focusing on something low-priority can sap energy, time, focus, and success away from the things that really need to get done, leading to a sense of working hard and still always being behind. Mastering the habit of looking to our top priorities first will nip this kind of constructive procrastination in the bud.
Photo by dsevilla
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