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Collaboration Leads to 1800’s Witchery: The Violin Maker’s Wife

Luc's writing projects

I met fellow writer Maya Lassiter (who writes an eclectic and highly entertaining blog about her yurt-living, kid-and-goat-raising, writing life) back in 2001, when Orson Scott Card ran his first annual writing week, called Uncle Orson’s Literary Boot Camp. The workshop was open to 20 of us, who auditioned with writing samples, and it was completely transformational to my writing. Scott Card was the first one to get me to understand that you didn’t have to wait for ideas, that you could go out and find them whenever you needed them. He was the one who explained that most of us write about a million words of garbage (literally) before we really start getting good. He was the one who explained to me the principles of writing clearly rather than prettily.

It’s not a great surprise to me that many students of that Literary Boot Camp have gone on to substantial success. Doug Cohen became a successful fiction writer and the editor of a major fantasy magazine. James Maxey authored multiple successful novels, including the Bitterwood and Dragon Age series. Jud Roberts‘ deeply-researched and adventure-filled Strongbow Saga has garnered eager fans for its first three books, with a fourth on the way. Ty Franck’s collaboration with Daniel Abraham (as James Corey), Leviathan Wakes, became a bestseller. I could go on.

In any case, I later founded a group called Codex, which many Boot Camp alums joined, including Maya, and on Codex we like to have fiction contests. When we held a collaboration contest, Maya and I got together and came up with a story about violin making and badly-understood magic, a novelette that was eventually titled “The Violin Maker’s Wife.” It won that contest.

A couple of months ago, Maya and I decided to put the story out where it could be read and published it for the Amazon Kindle. Note that Amazon Prime members can read it free by using their free monthly Kindle rental.

Maya worked with her regular cover artist, Ida Larsen to devise a cover, and recently we finished the formatting and took it live. Here’s the description:

“The Violin Maker’s Wife” is a historical fantasy novelette, set in 1870s Missouri, and is about forty pages long.

Nora Warren always knew there was something uncanny about her husband Tom’s work. What she didn’t know what that his enchanted violins could be deadly. Tom’s friend has one of the exquisite instruments, as does Tom himself. So does Garrett, Nora’s only son.

But Tom has looked too deeply into his own magic, and Garrett is in danger. Now Nora must find the answers Tom can’t give her, even if it means searching for spells hidden in his workshop, questioning a secret society of musicians, and following dangerous lights out into the wilderness. Tom has looked where he shouldn’t, but to save Garrett it’s Nora who must find who–or what–has looked back.

 

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Hurrah for the Comment King!

Resources

On Codex we’re having a discussion about what makes blogs work (and what that even means). Since there are some very good bloggers in the group (take Maya Lassiter and Kelly Barnhill, for example), it’s an eye-opening read. Two of the most useful pieces of wisdom for me that have come up so far are the twin reminders of letting yourself shine through (“letting your freak flag fly,” as my girlfriend/partner/inamorata Janine puts it) and offering humor and entertainment in your posts. People have been trying to tell me these things for a long time, but I keep protesting “No, I have to be serious because I’m writing this post on neurotransmitters.” (As if neurotransmitters weren’t fun. Try tossing back a cocktail of dopamine and oxytocin some time and just try to tell me you didn’t enjoy yourself!)

But the award for “most excellently useful new-to-me revelations” goes to Codexian Ferrett Steinmetz, whose post “The Compleat Guide To LiveJournal Stardom And Fame, Part II” covers all kinds of really, really handy insights about effective blogging and effectively engaging your readers–and does so in a profoundly entertaining, freak-flagerific way. It even starts with a jaunty little poem.

While Ferrett’s post is written about LiveJournal specifically, almost every point he makes applies to citizens of WordPress, Blogger.com, and every other blogging system.

Ironically, I’m using very few of his suggestions in this post, but I have a suspicion they’ll begin cropping up here and there any post now.

Photo by epSos.de

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Tweet and Facebook Like Buttons: Sometimes I’m a Little Slow

About the site

I only just realized that my site hasn’t had Tweet and Facebook Like buttons on it. I use such things on other people’s posts (like Tweets I put up recently about posts on Nathan Bransford‘s and Amanda Hocking‘s blogs re: Hocking’s huge eBook success) and was just assuming I had already gotten around to putting the tools up here. Oops.

If you have a blog and don’t mind if people spread the word, here’s a friendly reminder to not be like me and to put up those tools promptly. In case you use WordPress, the plugins I used were the WordPress Facebook Like Button and Tweet This.

On the subject of blogging, my friend Maya, who has a creative and interesting blog of her own (Mayaland), re-recommended the fun and cool Hyperbole and a Half blog today, and I wanted to pass on the favor.

UPDATE: Right around the time I posted this, the Jetpack plugin became available for WordPress.org users (people who, like me, host their own WordPress sites). If you install and activate Jetpack, you can then go into your Jetpack screen and turn on the free Sharedaddy feature, which provides much of the functionality I’m talking about here and more. As I like the way Sharedaddy works, I swapped that in and removed some other social networking tools from the site.

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eBooks: What Will Happen Over the Next Decade?

eBooks and Publishing

In a discussion of eBooks on Codex, an online writer’s group I started seven years ago, the subject came up of market saturation: with more and more eBooks hitting the market as the readership expands, will there come a time when there are too many books out there for many of them to make more than a little money? In response to that question, here are some predictions about the eBook market over the next decade, based on thinking about social and technological trends.

One reason I’m as interested as I am in this topic that I have friends on Codex who are beginning to see real success (measured in hundreds or thousands of dollars) through eBook publishing, primarily for the Kindle, especially Judson Roberts with his compelling and exceptionally well-researched series of Viking novels and James Maxey with his inventive and emotionally complex novels about dragons, dragon hunters, and superheroes. (See also Jud’s Web site at judsonroberts.com and James’ at jamesmaxey.blogspot.com.) Also fascinating is the POD success of Maya Lassiter with her free audiobook, Conjuring Raine, which to date has been downloaded more than 2,000 times.

Many more eBooks coming
I don’t think we’ve seen anything yet in terms of number of eBooks available: people who are putting out eBooks now are still early adopters, but before long publishers will be putting out every last book they have rights to, many more writers will take books out of the submission cycle of traditional publishing and try to get some juice out of the eBook market instead, and the majority of authors (and authors’ estates) who have rights to their backlists will make those books available as eBooks too. Why leave money on the table, after all? Most things that have gone out of print ever will reappear, along with many things that were written over the past few decades but never made it into print, making the field much more crowded.

By the way, I’m suspecting there will be at least a few amazing finds among books that have been lost in slush–along with lots and lots and lots of garbage.

Many more readers coming, and not just the ones we already write for
At the same time, over the coming decade the market for English language eBooks will continue to expand, not only as eReaders are adopted by an ever-increasing percentage of the public in English-speaking countries, but as eReaders and smartphones reach more and more of the world’s population. In the past almost all English-language writers have been writing mainly for native English speakers. As China and India and the Middle East and the rest of the world adopt eReaders, barriers to books from here reaching English speakers in other countries will fall. How many of your books are available in India, for instance, a country that has very nearly as many English-speakers as the United States? Or Nigeria, where English-speakers number almost 80 million? Or even in Australia, for that matter?

Further, as English language materials become more widely available, and as communication across national boundaries continues to expand, especially over the Web, many more people will learn English than have in the past. If you live in Mongolia, for instance, ten years ago English would have been of little use to you. Today if you know English and have any kind of Internet access, you have access to the largest  single-language collection of information and entertainment ever in the history of humankind.

So even though there’s going to be more competition, I think it’s still going to be boom time for English language writers for the next decade or so, and with the continued spread of English, some growth for another decade or two after that, and possibly even longer.

This growth in number of readers will not be matched by writers from those same areas. If you speak English well, you can be a reader of English-language books–but to write a good book in English, you have to speak the language like a native, which most readers from non-English-speaking countries don’t. Writers who write in English are likely to benefit from all of this at the expense of writers who work in other languages.

More readers means yet more eBooks
This in turn will lure more people to writing as more and more writers begin making a living through self-published eBook sales. Writing has always been alluring to a lot of people, but most would-be writers are scared off or beaten down by the process of repeated rejections, or else stuck in a decades-long pattern of submit-and-be-rejected. Lifting the barriers means not only removes practical obstacles to getting published, but also emotional obstacles. No longer will you have to be the kind of person who persists in the face of depressingly horrible odds to get your work out. (It could be argued that self-publishing has been an option for a long time, but I’d argue back that getting someone to print your books isn’t the same as having the opportunity to actually get them in front of readers.)

With an influx of less experienced writers who don’t have to get past editorial obstacles, there will be a lot more bad writing available. This, together with the increased use of eReaders and the overall rise in number of eBooks, will create a powerful push for better eBook finding and selection tools for the Web, eReaders, and smart phones. Exactly how these systems will work is a crucial question for writers, because it will determine whether or not our works can be found, the context in which they’ll be considered or compared, and ultimately how well they’ll sell.

In a near-future post I’ll make some predictions about how people will be finding and choosing eBooks, and about what that will mean for writers.

Photo taken in London by DG Jones

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Want to Be More Mindful of Your Moods? Try on an Idiot Hat!

States of mind

My yurt-dwelling, goat-raising, kid-celebrating, writer friend Maya has a daughter named Sophie, and Sophie has developed a new mindfulness tool that I expect may be showing up and getting some use in our house soon, and I don’t mean for my son. It’s called an “Idiot Hat.”

I’ll leave it to Maya to fully explain the origin and use of the Idiot Hat in her post, “the idiot hat, or, sophie has had enough“: the short version is that when someone is being grumpy, they put on the Idiot Hat and wear it until they do something nice. (“But what if I want to be grumpy sometimes?” you may ask. “Are you telling me I can’t be grumpy?” This is an excellent point, and if grumpiness isn’t something that you personally feel no need to work on, I say grump away. Still, there might be other uses for the hat in your house.)

As playful as the Idiot Hat idea is, I have to say that it exemplifies what I consider extremely practical thinking about mindfulness. After all, if I want to change a habit (like grumpiness, which is the specific vice the Idiot Hat is designed to cure, although I think the hat’s potential uses are legion), I’m going to need to 1) catch myself in the act whenever the habit comes up and 2) change my behavior. And I’ll need to do that consistently until it becomes a habit. The Idiot Hat catches the behavior when it occurs and leaves a visible reminder until change occurs. For extra points, it also offers an immediate change of perspective, distancing both grumper and grumpee(s) from the negative emotion, and provides an emotional antidote through humor–as long as the grumper is in the mood to take a little ribbing.

The basic idea behind this–using something physical as an aid to mindfulness in changing habits or behaviors–is a pretty impressive one. By definition, the tricky thing about mindfulness is paying attention to the right thing at the right time. Having a physical reminder of that thing makes keeping attention on it strongly enough and for long enough to make a difference more likely. Having a physical reminder that doesn’t go away until you’ve taken some compensating action gives you something to actually accomplish and a constant reminder to accomplish it.

Examples: an ugly statue you set on your desk whenever you miss a deadline you’ve set for yourself, a little meditation waterfall you turn on whenever you’re feeling stressed until you feel better, or something you carry with you to a restaurant to remind yourself that you plan to eat mindfully when you’re there.

A note: I don’t mean to be posting two articles close together with the word “Idiot” in their title, since just last week I posted “How to Form a Habit: It’s Like Training a Friendly Idiot.” It just happened that there was this idiot hat thing that came up and needed to be blogged about. I promise to underuse the word for the next little while.

Illustration by Ethan Reid, age 13. Ethan also did a cartoon on the subject.

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