Yesterday, I posted novelist James Maxey’s response to the question “How do you write 10,000 words in a day?” Here are my own thoughts on the matter, from my experience writing that much and more. This was written before I read James’s take, but not surprisingly, it turns out that our responses have a lot of comment elements.
- Don’t expect the result to be publishable unless you have a lot of experience writing. That’s not to say that you won’t produce something that can eventually become publishable, or even that you’ll necessarily miss the mark even if this is your first attempt at long fiction, but if you are going to be miserable if your work isn’t terrific, you may want to think twice before trying to write at this speed.
- Be a fast typist. If you can’t type quickly already, you’ll want to do some typing tutorials to improve your speed before attempting 10,000 words in a day. In theory you can write over 1,000 words an hour if you only type 20 words per minute, but in practice you’ll need to do things like make quick fixes and notes, use the bathroom, and especially think. If you know you won’t be able to type at least 40 wpm, set your sites lower than 10,000 words per day. 5,000 words a day is still an amazing accomplishment, for example–and any personal record or completed piece is worth celebrating.
- Clear your schedule; remove all distractions. Don’t check e-mail, Facebook, or Twitter; turn off your phone; make sure you’re alone (or at least will be left alone); prepare food ahead if possible; take care of anything pressing that might otherwise interrupt you before you start.
- Have all the ingredients you personally need to drive the story forward. If you’re an off-the-cuff writer, that’s fine, but make sure you understand what you’ll need in terms of research, premise, setting, character ideas, plot ideas, or whatever else you use for starting stories. For instance, although I sometimes like to use outlines, if I come up with two interesting characters having an argument, I’m off and running: setting and plot can emerge for me out of those. Other people will need a few key scenes to shoot for, or will need to know the beginning and the ending. Yet others will need a full-blown outline. Know what you need. If you don’t have enough writing experience to know what you need yet, be willing to experiment, be comfortable with the idea that you may run out of steam, and keep a copy of The Writing Engine handy in order to use the troubleshooting section as needed.
- Don’t revise yet. If your story gets off track, you can go back as far as you need and restart from there (while still counting the discarded words in your daily count if you like), or you can go back and insert notes as to what future revisions you’ll need, but don’t try to go back and fix things: you’re likely to lose all of your momentum and begin getting bogged down in editing rather than creation.
- Have a vision. If you have a vision of what will make writing so much in such a short period of time wonderful for you (for instance, the excitement of having a finished novel draft, however rough, or exploring a story idea that you’ve been wanting to explore for a long time), you’ll have something to sustain you when you almost inevitably hit those moments of “This thing I’m writing is junk!” or “What am I doing this for, anyway?”
- Immerse yourself in the story. The more involved you are in the story and the more you care about spending time with the characters and “seeing” what happens to them, the more likely you’ll be able to keep up the pace, and the more likely you’ll be to create something your readers can be excited about, too. Just as importantly, immersion in your story is another way of saying that you’ve achieved flow, which means maximum productivity and high quality (see “Flow: What It Feels Like to Be Perfectly Motivated“).
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