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Just Released: The Expanded, Illustrated 2nd Edition of Talk the Talk: The Slang of 67 American Subcultures

Luc's writing projects

About two and a half years ago, when I set about putting together a Kindle edition of my 2006 book Talk the Talk: The Slang of 65 American Subcultures, I thought I was looking at a couple of week’s work in whatever time I could spare. It turns out that updating my term database with the original edition improvements, adding three new subcultures, putting in multiple photographs for every subculture, editing, adding some terms that didn’t fit in the first edition, and otherwise preparing this new edition have taken … well, two and a half years. Yet I think it was worth it! Check it out here.

 

Talk the Talk: The Slang of 67 American Subcultures

 

I was very pleased to find that no significant corrections were required from the original edition. Despite my careful research, I had half expected the day after the original book’s release to be deluged with telephone calls by irate members of the subcultures I’ve documented correcting my facts–but there weren’t any, then or since.

My favorite credibility moment came when a blog post upbraided me for using the term “shank” to refer to a cell-made prison weapon instead of what the post’s author (who like me, has not served time) put forth as the proper term, “shiv.” I didn’t have to defend my research, though: an actual former inmate commented on the post instead, saying that “shiv” was a popular media term, but the word that was really used “inside” was “shank.”

Regardless, whether you check the book out to browse the new photographs of all the unexplored corners of American culture, to test your knowledge of carnival slang (the public radio show Wait Wait, Don’t Tell Me used the original edition to do this to guest Julia Sweeney back in 2006), to come up to speed on Renaissance Faire or snowboarding slang, or to just enjoy the range of words model rocketry enthusiasts use when they talk about things blowing up, there’s likely to be something of interest to practically any culture afficianado in what BoingBoing! called “the kind of quirky thing that is endlessly fascinating and full of odd insights into worlds you never suspected existed.”

If you’re interested in a review copy, whether for publication or simply for your blog, Amazon, or Goodreads, etc., please use the contact form here on my Web page.

The print edition should be released next month.

(By the way, astute readers may have noticed that I mention adding three subcultures, but the number listed on the cover only increased from 65 to 67. That’s because hip-hop slang, which to my way of thinking is much too widely used to be considered subculture speak, was removed from the new volume. Instead, I made it available for free on Talk the Talk‘s Web site at www.subculturetalk.com.)

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Free Historical Fantasy Novelette Wed-Thu: The Violin-Maker’s Wife

Luc's writing projects

Some time back, my friend Maya Lassiter and I participated in a Codex collaborative story contest and created a historical fantasy story about deadly lights plaguing a small family in post-Civil War Missouri. Even after the story won the contest, we revised and rewrote and rewrote and revised, finally settling on a version that satisfied us both.

Today and tomorrow (Wednesday through Thursday, November 7th and 8th), our e-novelette “The Violin Maker’s Wife” will be available free on Amazon.com: click here to get it.

If you do get and read the story, we’d be very interested in hearing what you think! Comment here or post a review on Amazon.

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How Do I Preload Books onto a Kindle I’m Giving as a Gift?

eBooks and Publishing

I’m collaborating with a group of five other science fiction, fantasy, and historical fiction authors on a contest that will give away a new Kindle Fire loaded with about a dozen great books. (More on that later, when the contest is ready to announce.) One of the questions we’re deciding on is how we want to give someone  a Kindle with books already on it.

This turns out to be kind of tricky. When someone receives a Kindle, they have to register it to an Amazon account. When this happens, according to Amazon, all previous content (whether purchased or manually loaded) is wiped from the device. This means that you can’t just order someone a Kindle and have it show up with the books you want on it, and it also means that if the person who’s getting the Kindle is going to register it, you can’t have it delivered to yourself, manually load up the books, and then give it to that person. This holds true regardless of whether you’re gifting a new or a used Kindle.

Fortunately, there are several workable approaches. Here are the ones I know of. Please note that in most cases, it’s helpful to indicate when ordering a new Kindle that it’s a gift so that it isn’t automatically registered to your account. With a used Kindle, the recipient just has to re-register, in most cases.

1. Amazon gift card
This is the least creative approach, but it’s also the easiest: just buy an Amazon gift card to go with the Kindle. This lets happy recipients choose and buy books on their own. It’s no good if you want to include specific books rather than just suggestions of what to buy, and it doesn’t help if you want to load books that don’t come from Amazon’s store (including, if you’re an author, your own–unless you want to pay Amazon to buy your own books, which considering you receive a 70% royalty in many cases might be a perfectly good option too).

2. Books delivered after the Kindle is registered
This one’s pretty easy as well. In addition to buying the Kindle for your gift recipient, you buy the books, but indicate that they’re gifts and specify who to. Once the new Kindle is registered, the recipient receives those gift books on the new Kindle. Again, this one’s no help if you’re not including books from Amazon itself.

3. Send files
Kindles read not only Amazon’s .AMZ files, but also other formats, including .MOBI and .PRC (general eBook formats that aren’t limited to Kindle books); .DOC and .RTF files from Microsoft Word and other word processors; text files; HTML files; graphics formats like .JPG, .GIF, .PNG and .BMP (not good for reading); and Adobe Acrobat .PDFs. (Regarding .PDFs, a warning: many are designed for 8.5″x11″ paper and have to be shrunk down to a painful and sometimes unreadable size to be shown on Kindle). Any of these non-Amazon file types can be sent or given to the new Kindle owner through e-mail, download, thumb drive, CD-ROM, file transfer, or any other means that you would normally use to send files.

Once received, the files will need to be transferred onto the Kindle, usually using the Kindle’s USB cable. (However, Kindle owners can also use my #4 option, below, to send books and documents to their own Kindles, providing they’ve “whitelisted” themselves as described.)

4. Email via @free.kindle.com
My favorite option for getting files onto a Kindle, because it doesn’t require plugging in a USB cable or even being physically present, is to use Amazon’s @free.kindle.com e-mail address. This is a free (no surprise there) e-mail address provided to every Kindle user by Amazon, and it delivers files and eBooks via a wireless connection. There’s also a @kindle.com address that works over 3G for 3G-capable Kindles as well as over wireless, but documents sent that way are sometimes subject to a small charge to the recipient, so I always stick with the free version.

The one limitation of this approach, which is a sensible one, is that the Kindle owner must pre-approve (“whitelist”) the sending e-mail address before anything can be received this way. All this does is approve the e-mail account being entered to send documents or books to the Kindle, so unless you’re worried about the sender sending a bunch of things you don’t want, there’s no real danger to it. Approved e-mail addresses can also be deleted at any time.

To whitelist a sender, the recipient needs to follow these steps after registering the new Kindle:

  1. Navigate to https://www.amazon.com/gp/digital/fiona/manage#pdocSettings and log in if prompted
  2. Scroll down to near the bottom, where you’ll see a link that says “Add a new approved e-mail address.” Click this link
  3. In the dialog box that appears, enter the sender’s e-mail address.
  4. Click the “Add Address” button

Once this is done, the sender can forward books that will appear automatically on the recipient’s Kindle the next time it’s connected to a wireless network. Note that it takes a few minutes after starting and connecting to the wireless network for the Kindle to check for new items, find them, download them, and display them. Wireless connectivity has to be turned on through the Kindle settings for this to work, of course, but most users will already have it on.

Don’t send books or documents before the whitelisting is complete; they’ll just vanish into the void. Once this process is set up, though, it’s an easy way to get documents onto other people’s Kindles. This can be very handy not only for gift giving, but also for critique groups, work-related documents, sending articles for friends to read, etc. It’s one of my favorite underutilized Kindle features.

Of course, this approach doesn’t work for sending books purchased on Amazon; for that, try one of the earlier methods.

That’s all of the ways I can think of. Did I miss any?

Photo by sundaykofax

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Why Amazon Studios Will Succeed, Part 2: Customers and Distribution

Society and culture

Last week I began talking a bit about Amazon Studios, Amazon’s 20-month-old initiative to find and produce new movie and series scripts. In that post I posted on the advantages and opportunities of crowdsourced material. Today’s post looks at the business advantages Amazon brings to bear.

Customer comprehension
In most of their efforts, judging by sales, Amazon seems to get where their customers are coming from and what they really want. They came to dominate the book market because they presented customers with the buying experience and advantages they wanted (huge selection, simple and effective searching, lower prices, affordable shipping). They became a sell-anything behemoth by applying the same principles they used to sell books to, well, practically everything.

Their original Kindle succeeded extravagantly; the Kindle Fire, a very different device, also took off, and among authors their eBook store is close to the only one that matters. It seems to me that Amazon’s principles here are to focus on wide selection, good search tools, and an affordable price point, and that formula has delivered for them again and again. I have no reason to believe they’ll do anything differently–or need to–as they start bringing out movies and series.

Well-suited distribution channels
We tend to think of series as things we watch on television and of movies as things we watch in movie theaters, but increasingly we’re watching these things on our computers, tablets, Rokus, and other devices.  Can Amazon get movies in theaters and series on TV channels? Absolutely. Much smaller and less well-funded production companies do it all the time. Will Amazon need to do this? Maybe not.

I don’t feel I can predict how much our viewing habits might migrate away from movie theaters and TV stations. After all, both of these industries have survived massive changes in the last few decades, and I don’t know that further changes will necessarily swamp the boat for either one. For instance, even though I’ll eventually be able to watch virtually any movie I want on DVD and/or through streaming, I still see movies in theaters sometimes because of the big screen experience, and because sometimes I want to see the film as soon as it’s released.

However, it’s clear that people are ready and willing to watch movies and series through streaming, and Amazon already has a successful streaming service that it could expand or build on in a number of ways. It’s also clear that streaming is getting more and more popular compared to other modes of watching, and while this upward trend may eventually plateau, it’s likely streaming is here to stay, at least until the next game-changing paradigm comes along.

Familiar with success
So unlike literally every other movie and TV studio in the world, Amazon has a massive, successful, existing distribution channel, not to mention their own device, the Kindle Fire, out in the world to stream to (along with many other non-Amazon viewing devices, of course). None of this is any guarantee of success, and there are any number of companies that have dropped the ball on opportunities that were just as promising–but Amazon isn’t just any company.

Compare them to Google, for instance, which often seems to be just trying anything that looks popular. “How about a virtual world (Google Lively)? No, I guess that didn’t work. Now let’s make something called Google Wave and see if anyone can fully understand it! Huh, I guess not that either. Well, let’s try to out-Facebook Facebook! Hmm, hard to tell whether that’s going to survive or not. Well, good thing some of our other core offerings, like search and maps, are so excellent, and that we drive the software behind some of the world’s best smartphones.”

Amazon, on the other hand, seems to succeed with virtually every major effort they undertake. I have every reason to think they’ll succeed in this one too, even though it’s as much of a stretch as the Kindle was–and maybe more of one. If anyone can make that stretch, it’s Amazon.

In my next Amazon Studios post, I’ll offer a look at the possibility’s from the writer’s point of view. Is Amazon Studios a golden opportunity, a one-way ticket to tooldom, or a little of both?

Photo by evadedave

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Bam! Stories of the Impossible and the Wildly Improbably: Free eBook This Weekend

Luc's writing projects

This weekend I’ll be attending Readercon near Boston, Massachusetts, and while there I’ll be doing a reading of stories from my flash fiction collection Bam! 172 Hellaciously Quick Stories. Bam! has been available for Kindle since last year, and the paperback ($11.95) is just coming out now, already available here and scheduled to show up on Amazon.com within the next week or two.

In celebration of all this, Bam! for the Kindle (and all devices that can run the free Kindle viewer, including PCs, Macs, iPads, iPhones, Android devices, etc.) will be available free today through Sunday. Feedback, good or bad, is always welcome. Enjoy!

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Why Amazon Studios Will Succeed, Part 1: Crowdsourced Projects

Society and culture

Amazon Studios, in case you haven’t heard of it, is Amazon’s fairly recent foray into the areas we generally think of as “movies” and “television,” even though much of what we watch these days may not be on movie theater or television screens. I just uploaded a script to Amazon Studios myself. Will it vanish in the noise of thousands of other projects, or will it actually get some attention, possibly even be developed into a feature film?

Before we look at my own project, let’s take a look at Amazon Studios as a whole.

What’s so unusual about Amazon Studios? Well, one of the main things is that they crowdsource content. Writers upload scripts, filmmakers make test movies and trailers from popular uploaded content, and everyone can go around and pick out the projects they like most from the field of contenders. Amazon pays tens or in some cases hundreds of thousands of dollars to develop projects people upload, but most of the projects, of course, go nowhere and earn nothing.

This is not too different from the Kindle Store, where authors can upload books, but most of these books sell few or no copies, while a small number do spectacularly well.

Amazon Studios Will Succeed
I’ll go out on a limb right now and predict that Amazon Studios will make successful films and series that people will watch. Why am I confident of this? Three reasons: crowdsourced content, customer comprehension, and ideal distribution channels.

Crowdsourced content
Crowdsourcing, the process of having a large group of people choose from a field of options, is pretty much ideal (says me) for coming up with movies and video series, because a successfully crowdsourced project means a lot of people like it, and because the single key ingredient for success in a movie or series is that a lot of people like it. Successful crowdsourced products are ones that people talk about, are interested in, and will go out of their way to get to. If the crowd gets interested in a project and that picks it out of the slush, then it stands to reason there’s a very good chance that the larger crowd, which is to say a national or international audience, will also be interested in it and pick it out of other options to actually see, paying money somewhere along the way for the privilege.

Of course it’s true that the crowd that’s doing the picking might not have quite the same preferences as the larger potential audience, or that there might be things that would make a project attractive to project-choosers that wouldn’t make it as attractive to actual audiences, but I suspect these and other limitations are pretty minor, all things considered. I don’t believe that crowdsourced projects are necessarily better than non-crowdsourced ones, or that they should get wider exposure, but I do believe they will tend to be successful.

In my next post, I’ll talk about the other two reasons I believe Amazon will come out on top, the unique advantages they have as a business when it comes to making series and movies.

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Finding Your Place in Tradpub versus Selfpub

eBooks and Publishing

Writing for publication has always been tricky–not to mention challenging, exhausting, unpredictable, and demoralizing. Still, for many years at least the path was clear:

  1. You write a book.
  2. You submit the book to publishers and/or agents.
  3. Agents and/or publishers either do or (much more often) do not express interest.
  4. If there’s interest and you’re lucky, you cut a nice deal with someone.
  5. Your book gets released, and it sells badly, decently, well, or ridiculously well.
  6. Depending on your sales, you’re then either able to sell additional books more easily or else you have to go back to the drawing board, possibly with a pseudonym so that bookstores won’t be prejudiced against stocking your titles given your underwhelming performance under your own name.

It was never half as thrilling as the daydreams we have of writing a bestseller that the critics praise to the skies (though even that can backfire: see my comments on Harper Lee in “The Courage to Suck” ).

You could say that none of the above has changed–after all, there are still agents and publishers, and the steps are still about the same with them as they have been for a number of decades. At the same time, there’s this new thing, the eBook self-publishing approach.

Self-publishing used to be easy for me to understand: I’d decided it was mainly for people who couldn’t make it in traditional publishing or didn’t want to put up with rejection after rejection, who wanted the quick and easy path to becoming “a published author” even if it meant shelling out cash instead of getting paid for writing and not having a real readership. It was also for the niche writer who had an audience too small to interest big publishing houses but whose topic and readers were clearly-defined enough that the book could be sold directly.

For someone who has always aspired to writing for large audiences, to me the upshot was that [self-publishing==failure]. It was utterly to be avoided.

The game changes
But then came Print On Demand and Lulu and CreateSpace, and after that came the Kindle. Suddenly the possibility opened up that writers could publish their work to a potentially wide audience with very little trouble or cost. For instance, let’s say I had a modestly successful novel that went out of print a few years ago but that still had loyal fans. If the rights had reverted to me, either through a request to the publisher or though an automatic operation based on how my contract was set up, there was no real barrier to republishing it for the Kindle, and some people out there–an increasing number of whom would have Kindles–might be looking for it and end up buying it. One of my friends has done just this, parlaying a series whose traditional publisher had utterly failed to market properly into ongoing Kindle and POD sales that are providing him a full-time income. The books are making a good deal more selfpubbed than they ever did on bookstore shelves.

Or you might be one of those authors with an established following who decides to publish directly for readers who already know your work, like J.A. Konrath; or even an unpublished writer whose Kindle books catch on with readers to become Kindle bestsellers, like Amanda Hocking.

(Of course there are other places–BN.com, Google Books, Smashwords, and so one–where you can publish your eBook, and you can publish through Print on Demand technology in addition to or instead of eBooks, but Kindle sales are driving this revolution, so I’m focusing on those.)

Two roads diverged in the Interwebs
The point is, there’s now an almost completely new, second career path option available to writers. What are we supposed to make of this? J.A. Konrath and Amanda Hocking are making boatloads of money on their eBooks, but the vast majority of people who have self-published eBooks are selling very few or no copies*. Most of the time, ePublishing your book gets it to about as many people as would read it if it were only available in the form of photocopied manuscripts hidden under an old rug in your basement.

This makes self-ePublishing–I’ll call this “selfpubbing” for short, even though selfpubbing can include Print on Demand books too–both an incredible source of motivation and an incredible source of disappointment. You can selfpub your just-finished or multiply-rejected novel, novella, novelette, short story, collection, or poetry book for free in just a few hours, if you can put together a cover and follow the formatting requirements. Within a day or so, searching for your name on Amazon will bring up an actual (e)book that people can actually buy! Books that have merit but are difficult to categorize, books that were too long or too short or too much like a book that just came out or not enough like a book that just came out can be published and have their chance to find a readership.

Of course, if you just publish the eBook and wait for the cash to pour in with no promotion, as I suspect most selfpubbers do (and I’m not counting repeated pleas on Facebook and Twitter for friends to buy the thing as promotion), you’re likely to be disappointed. If, however, you get reviews and get people to blog about your book, give interviews, find newsworthy angles and pitch them to news outlets, get mentions from people much more famous than yourself, and so on, then at least your book has a chance of reaching someone, and ideally it will reach a lot of someones, and those someones will love it and refer it to a lot of other someones. Unless you’re famous through some other means, you can’t launch a book to success all by yourself, but you can if more famous people or more far-reaching media take up your cause, or if you get readers excited and they start spreading the word.

Wait–why am I still in Kansas?
It’s always possible, of course, that you’ll exhaust yourself in promotional efforts and get nowhere–a few people will buy your book, hardly anyone will review it, and the moment you start to rest all interest and sales will vanish. Does this mean that you’re an awful writer? Or that you’re not cut out for selfpubbing and should stick to the tradpub approach? Or that you just need more promotion? Or different promotion? Or that you should be writing different books? How do you know when to put time into writing and when to put time into social media or contacting bloggers or buying Google AdWords?

There’s no way to tell for certain. If your books don’t sell, your writing may indeed be nowhere near good enough (yet) for people to want to read it. Or it could be spectacular, but you may be no good at promotion. Or maybe the writing and the promotion are great, but your book isn’t packaged properly: the title and/or cover and/or price and/or supporting information are wrong.

A selfpub experiment
Let me give you an example: about six months before this writing, I selfpubbed a collection of 172 flash fiction pieces called Bam! 172 Hellaciously Quick Stories , which like most collections, sold very lightly. A few months later I got around to putting out a 99 cent sampler that included stories from Bam! plus one new story as a bonus: this I called 17 Stories About the End of the World. A while back, as an experiment, I dropped the price of Bam! to 99 cents, so that the sampler and the full book cost the same despite one having ten times as much content as the other.

The result was downright weird: the sampler has been outselling the full collection by a margin of five to one. At the same price. Through the same venues. That’s the shorter book selling better, now.

To me, this is a clear demonstration of the importance packaging and presentation: clearly people are much more interested in “here are some stories about the world ending! (by some guy you’ve probably never heard of)” than they are in “here are some stories that are awfully short (by some guy you’ve probably never heard of)”. Or they might prefer the sampler’s cover (which I started but which was greatly improved by my friend Elise Catherine Tobler).

So what am I doing? A new experiment: I’ve broken out the book into nine separate samplers like My Friend in Hell and Other Very Short Stories and 19 Very Short Stories of Talking Animals with Serious Issues, which I’ve just released as of this writing. I’ve upped the price of the collection to $2.99, in part to help people who buy the samplers feel like they’re not overpaying by comparison. At the very least, this should tell me whether my End of the World book is a fluke or not, and provide me with some fascinating (to me, anyway) sales information. What kinds of stories will turn out to interest readers the most? [Later update: none of the other samplers did nearly as well as the End of the World one, and I eventually removed them. I suspect the continued relative success of 17 Stories About the End of the World is due partly to the topic and partly to the cover. I’ve tried to coax Amazon to make the sampler free, but they are not biting so far.]

Selfpub isn’t working! What now?
But enough of my example. If you’ve tried selfpub and you’ve tried self-promotion and you haven’t made significant sales, you have three choices.

  1. Choice number one is to relax and keep doing what you’re doing. Statistically, it’s likely that things will stay the same as they are and you’ll never see significant sales, although things could begin to pick up over time, especially if you’re doing some kind of promotion. If you’re writing for the love of writing alone and don’t much care about income or audience, this approach may be for you.
  2. Choice number two is to become a combination economic researcher and marketing maven. Try different covers. Try different pricing, different promotional methods–even different kinds of books.
  3. Choice number three is to say “screw this” and go back to tradpub, which may not welcome you back with open arms, but which probably wasn’t throwing itself at you before, so you probably haven’t lost any ground.

They’re all legitimate choices. My suggestion in choosing among them is finding the method that gets you fired up. If you thrill to an “almost, but not quite” rejection letter (they’re a lot better than a form rejection!) or start feeling queasy when you think of having to dive into Twitter every morning, maybe your path is to be published traditionally. That’s also probably the way to go if you’re not sure of the quality of your own work. It’s all too easy to selfpub something just because it’s finished without really knowing whether it’s any good or not (see “Your Opinion and Twenty-Five Cents: Judging Your Own Writing“).

If on the other hand, you want to embrace social media but can do so without frittering away all of your writing time on Facebook, and if you’ve gotten enough clear feedback from people who aren’t your mother to know that your writing works for people sometimes, then maybe selfpub is worth a whirl.

Or you could go both ways
Or you may be like me, pushing projects on both tracks at the same time while simultaneously sending out short stories for good measure. I don’t especially recommend this approach because it dilutes my efforts, slowing me down in every direction because I’m constantly exerting effort on several things at once. But then, this approach excites me, and I have a hell of a lot of energy. Ultimately I’m probably slowing down my overall progress, but at least I’m having fun doing it, and I’m moving forward.

I’d suggest that it’s much less a business decision than a decision of the heart. We’re lucky enough, at this point in history, to have at least two viable ways to make a living writing narrative fiction. Choosing the one that makes you excited to write will not only get you writing more, but will get you working more toward finding your audience–and I’ve yet to find a writer who complains about being too industrious at either.

If you’re interested in seeing what I have on offer for the Kindle, here are the titles I currently have available:

[ *My estimates of typical Kindle sales are based on comparing Amazon sales rankings for the total range of Kindle offerings to the rankings of eBooks for which I know specific sales figures through discussions with the authors and experience regarding my own books. ]

This article is reposted from my Futurismic column “Brain Hacks for Writers.”

Photo by Fabio Said

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Amazon Starts Free Kindle Lending Library

eBooks and Publishing

This came as a surprise: today Amazon announced they are starting a free lending library for Kindle owners who have an Amazon Prime membership. Amazon Prime has to be one of the most unlikely bargains out there. Who thought of putting streaming movies, free shipping, and temporary eBook access together in one package (for $79 a year)? Counterintuitive or not, it’s an attractive option if you order a lot of things on the Web.

Even if you do already own a Kindle and have Amazon Prime, don’t plan on suddenly being able to read whatever you want for free. Amazon is only offering a limited number of books under the program, with a maximum of one loan per month per Prime member. With that said, though, there’s an impressive array of books available–more than 5,000 of them, including some current bestsellers.

I continue to worry about the fate of libraries as eReading spreads and the eBook world becomes more flexible and friendly to readers. Post your comments, links to articles elsewhere on the Web, or links to your own blogging on the subject below.

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Amazon Announces $200 Tablet, $80 Kindle, and Touchscreen Kindles

eBooks and Publishing

In just the past hour or so, Amazon announced the new Kindle Fire, a $200 Android-based tablet that prioritizes reading, music, and media; they also introduced new touchscreen Kindles and a new standard Kindle (with ads and with no keyboard; the version without ads goes for $109) for $79. Prices of existing Kindle models have also dropped substantially.

The tablet and touchscreen eReaders will be available November 21st, in time for the holidays, while the new standard Kindle is available immediately.

I would be very surprised if this didn’t mean a host of new eReader users and a rise in sales of Kindle eBooks that starts immediately and builds through Christmas and (if last year is any guide) beyond.

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Seeing a Sudden Drop in Sales of Your eBook?

eBooks and Publishing

This is based only on anecdotal information from half a dozen writers or so, but some of us are seeing a sudden, sharp drop-off in sales of eBooks on Amazon over the past couple of weeks. However, I have a hard time imagining that this is a reader trend. In the absence of some major, disruptive event, it seems to me that if the general public were to change its opinion on eBooks, it would do so gradually and noisily rather than suddenly and silently.

I’ve heard speculation that Amazon may have changed some of their algorithms governing which Kindle books are shown in “also bought” categories and the like. I have no evidence that anything like this has happened, but it would fit the pattern if author-publishers suddenly saw a drop-off in sales because Amazon had changed something that (intentionally or not) favored books that sold a lot of copies and/or that came from major traditional publishers. I worry that some kind of deal may have been cut, especially as I know major publishers are desperate for eBook profits these days, what with other formats all dropping in popularity while eBooks continue to rise, and as Amazon is clearly dependent on major publishers for most of their popular book content.

All of that is nothing but speculation, of course. If it’s true, it still doesn’t signal the end of the eBook selfpub revolution–but it sure would make an already taxing process much more difficult. If major traditional publishers do ultimately come out on top and completely squeeze out author-publishers, then the new make-a-living-as-a-writer model may be pretty much the same as the old make-a-living-as-a-writer model: sell to an agent who works with a major publisher who publishes the book and gives you some or all of the royalties that are due to you. One improvement, however, would be that if many of the copies sold as eBooks, the writer would receive a much larger portion of the sales price–not nearly as much as they would realize as an author-publisher on a copy of the same book, but if major publishing houses can sell many more copies, the likelihood that a good writer can support her- or himself might go up rather than down.

It’s hard to know what to hope for: I’ve been envisioning tiny author-publisher empires in which we writers are happily giving our readers new books at good prices as we finish them, rather than being stuck in the slow and sometimes painful traditional publishing process. However, large eBook retailers are empowered to squeeze author-publishers out because we need them and they don’t especially need us, apart from a minority of especially successful eBooks for which they might make exceptions.

How are your sales? Am I Marsh-wiggling this whole topic? If your sales have dropped off, do you have any speculations to advance?

Photo by m.prinke

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