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Tools for Naming Characters

Writing

Tom Riddle

In my current novel, my character names have been a mess. I’ve used up hours naming and renaming major characters, with the protagonist so far the most name-changed individual with two rounds of selection for her first name and three for her last name. Not only do I want each name to be right, I also want them to fit together, and to minimize the possibility of them being confused with each other. For instance, I generally try to avoid giving any two major characters of the same gender the first initial.

Naming characters well
Character names are important to me for a number of reasons. An awkward name makes it harder for me to read a story. A name with the wrong “feel” or associations is offputting. A name that I don’t like makes it hard for me to like the character. The wrong name in a story, especially in my own story, yanks me out of the experience and into a critical, peevish attitude that gets in the way of experiencing the story.

Some writers have nailed this. Shakespeare, for my money, was as poetic with his names as with everything else he wrote. Dickens was a master of names, too. J. K. Rowling has some of the cleverest names I’ve ever heard, given that she’s writing for a young audience. That she would have a wizard character with the intriguing but cheerful name “Tom Marvolo Riddle,” and that this would be an anagram for “I am Lord Voldemort,” with “Voldemort” not only having an ominous and terrible sound a la Sauron or Tash or (more subtly) Moriarty, but also having the meaning (if we apply German and French) of “full of death” … that’s just insane. I can’t imagine how she managed that.

Name resources
Let’s not set the bar too high, though. In terms of finding good, appropriate names for characters, first of all, here are a few of my favorite resources:

Scrivener (see “How Tools and Environment Make Work into Play, Part I: The Example of Scrivener” and “Would Scrivener Make You a Happier Writer?“) has a name generation feature which is very convenient, but I have often found these names to be too random and uncommon for my taste. However, it will let you choose nationalities and other factors, so for some Scrivener users, it might be just the thing.

Choosing a name: an example
Here’s a grid I used to choose a new surname for the protagonist of my current novel. I had five criteria:

  • How the name sounded (to me) with the protagonist’s first name
  • How it sounded with her family members’ first names
  • How the name “felt” to me in terms of suiting this character (and to a much lesser extent, her family)
  • Associations I thought readers might commonly have with the name, and
  • Thematic resonance/appropriateness.

I got my list of candidates by browsing through that “1,000 most common surnames” link and choosing anything that looked like it might suit.

Check marks mean “win,” x’s mean “fail,” and tildes (~) mean “meh, sorta.”

In the end, I went with “Finch,” not only because it was the one choice to score all five check marks, but also because of the nuances of the the specific associations with advocacy, right action, long odds, great literature, and nature. What this gives me is a character name I feel good about and that works with me rather than against me. It doesn’t matter that I stole it: as Pablo Picasso once said, “Good artists copy, great artists steal.” Whether you steal your name or come by it honestly, here’s wishing you characters that sound like the people you want them to be.

Drawing by Irrisor-Immortalis.

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15 Ways to Avoid Embarrassment Over Your Young Adult Fiction Habit

Writing

Harry Potter, The Hunger Games, Twilight, even A Wrinkle In Time … technically, these books were never meant for those of us over the age of 18 or so. As Young Adult (or in the case of Harry Potter, Middle Grade) fiction, they were intended for the younger generation, and yet adults–by which I mean possibly you and definitely me–are still reading them by the bookmobileful. I think we’re supposed to be reading more serious stuff–maybe The Grapes of Wrath, or Moby DickWar and Peace is probably good. I always tell people I’m reading War and Peace, and I’m at that part right near the end. This helps make sure they’ll change the subject quickly so that I don’t have to prove I don’t know what it’s about. Except, you know, obviously war, and also peace. Probably there’s something there about Russia invading … I don’t know, somebody. Maybe Russia invading Russia. Russia is pretty big: they could probably get away with that.

Anyway, my point is that it’s not always impressive and mature-sounding to say “Oh, I just read this great book written for 12-year-olds …” Here, as a public service, are some excuses writers and readers can use to cover for an addiction to young adult fiction.

  • I have a teen at home, so I have to know what they’re reading to be a good parent.
  • I work with teens, so I have to know what they’re reading to do my job.
  • I know my kid is only four, but I have to be up to speed by the time she hits middle school.
  • While I don’t have or work with kids now, I might someday, and it’s better to be safe than sorry.
  • I mistook it for the latest long, boring novel about the grim reflections of an emotionally deprived settlement camp volunteer. That’s what I really meant to read.
  • I’m a writer, and that market’s hot right now.
  • I’m a writer, and I just want to make sure that I know what’s Young Adult so that I don’t write some by mistake.
  • Actually, I’m pretty sure Harry Potter and the Prisoner of Azkaban is classified as a technothriller.
  • What, that? That’s not mine.
  • Well you know, it’s interesting: it turns out that there are moral and ethical threads to the subtext that really delineate an entirely separate and more cerebral story not immediately evident if you don’t really dig in, but that with energetic literary analysis really emerges with a characteristic–wait, come back! Don’t you want to hear about the affective parallelism?
  • Young adult fiction is where all the really steamy stuff is these days. Who wants to read about two old people doing it?
  • Oh, I just have that because I’m translating it into Serbo-Croatian.
  • That’s just one of the fake covers I use to hide my D.H. Lawrence books.
  • That’s from when I was a kid. I only read eBooks now.
  • Yes, I’m reading young adult fiction. When’s the last time you read a book you couldn’t put down?
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