Browsing the archives for the motivation tag.
Subscribe via RSS or e-mail      


Don’t Know, Don’t Believe, or Just Don’t Care?

Strategies and goals

hanging onWhy do we so often have trouble following through with the way we want to be and act? Unfortunately for me, I face this question all the time. Having made a study of habits and motivation, I have an almost endless supply of tools and tricks to get myself out of a bad mood, figure out what to do next, or get on track–yet even though these tools and tricks have made a huge positive impact in my life, I still manage to be far from perfect. Sometimes I’m late despite knowing exactly how not to be late; sometimes I become disorganized despite having terrific organizational systems at my disposal; and sometimes I fall short on goals or fail to change in the way I’d like to. Why? It seems to come down to three kinds of problems: not knowing, not believing, or not caring.

Here’s an example: recently I’ve been doing some reading that brings me to believe that the advice we’ve been given for decades about how to fend off heart attacks and strokes and all of that is completely wrong (see my recent article “Wait–Eating Lots of Fat Is GOOD for Your Heart?“). Once I’ve decided that what I’ve read is compelling enough to act on, why wouldn’t I become instantly and completely compliant with all of the new guidelines I’ve learned? After all, it could be literally a matter of life and death.

Don’t know: Before I started reading up on the “fats good, sugars bad” perspective, I had lots of misinformation that was fed to me–and that continues to be fed to me–by mostly well-meaning nutritionists, government officials, and doctors. If I don’t have good information, I can’t very well act on it. It’s very hard to change a habit, for instance, without knowing how habits work (by the way, this site has a number of clear, specific, and carefully researched articles on that subject).

Don’t believe: There are different versions of the belief problem, but one example is plain old doubt. For instance, I might find Dr. Peter Attia’s posts about fat very compelling, but still be nervous to switch to a fat-driven diet because I have a hard time believing that almost all of the information I’d received on the subject in the past was wrong.

Worse, and perhaps even more common, is lack of belief in ourselves. If I don’t believe I can make a change in my life, then all of my efforts in that direction will begin to seem pointless, and it will be very hard to keep myself going.

My belief might be from old information I’m having trouble letting go of, or new and conflicting information, even if it’s from the same old sources or if I know the information I already have is better. Maybe I have friends, family members, coworkers, teachers, colleagues, or role models who don’t believe what I believe, and that’s making sticking to my guns harder.

Don’t care: Perhaps worst of all is when I know what to do and I believe it will make a difference, but I just don’t care at that point. Maybe I’ve had a rough day or a bad night’s sleep and don’t feel as though I can put the effort into one more thing. Maybe I’m concentrating on the things I don’t like about what I’m doing or on things that I can’t or shouldn’t do if I want to pursue that goal instead of on what I can be doing next or on what inspires me. Sometimes I might just not be able to get up any enthusiasm for working on a goal that might never be realized, or that would only have an effect in the distant future. Or it could be that I’m just distracted, preoccupied with other things and not able to spare the attention and interest.

Regardless of which of these problems I have, realizing that I’m faced with a problem in knowledge, belief, or caring makes an instant improvement. Asking myself what I don’t know can lead me to the information I need, and realizing I’m having trouble believing or caring can lead me back to whatever inspired me to believe or care in the first place. When these kinds of obstacles are addressed, then the problem vanishes as if by magic, and suddenly I’m back on track.

Photo by Sharon Morrow.

No Comments

When You Hate Your Novel

Writing

The original version of this article first appeared in my column “Brain Hacks for Writers” over at the online publication Futurismic. I’ve been editing and republishing each of my BHfW columns here. This is the final one, but you can read others by clicking here.

broken pencil

Writing a novel can be a little like a troubled romance.

Perhaps it started out with a flurry of excitement. Your idea swept you away and fascinated you–this was the one! This was the novel that was going to get finished … or be your first sale … or make a name for you. At the beginning, the characters were endearing or intriguing and the plot opened up before you like a twisty road opens up before a motorcycler on a crisp fall morning.

It’s Not You; It’s My Writing
Yet now … not so much. It’s not that you don’t still love your novel. Of course you love it! Except you also hate it. Writing it is no longer exciting: it’s work, and hard work at that. Worse, you begin to see the flaws in your original ideas and character conceptions, or you begin to worry that the whole thing is dull and unoriginal. You picture yourself plowing untold hours into the book and in the end having a manuscript that gets only contempt from agents and malignant disregard from publishers, or that you put on Amazon yourself and never sell except to your mother and her bridge partner. Ugh.

What happened? Well, of course it’s possible that you veered off the course at some point, that the scene that you thought would be so entertaining has undermined your character’s original appeal, or that you’ve resolved too many problems and now there’s no suspense, or whatever. In a way, though, it doesn’t matter whether the job is to continue writing the draft you have or to go back and rewrite part of it first: in both cases you have to actually sit down and work on the thing, and you are having all kinds of trouble forcing yourself to do that on a regular basis.

(If you never do have all kinds of trouble, of course, that’s wonderful, and this column is not written specifically for you. Congratulations, but please stop gloating.)

Passion, Not Judgment
There are two key questions here, one of which I’ll dig into and the other of which I’ll pretty much ignore.

The question I intend to ignore is whether the novel is good enough or not. That’s a topic in itself, and I’ve tackled it in a separate piece called “Your Opinion and Twenty-Five Cents: Judging Your Own Writing.”

The question I’ll dig into is this: if you’ve decided that you really do want to finish the book, how do you stop hating (or resenting, or avoiding) it?

Fortunately, the basic answer to this is simple: if you think things about the book that make you feel bad, you will have a hard time writing it. If you think things about the book that make you feel good, you’ll be likely to work harder, more often, and more energetically. You’ll also be likely to think about the project more, yielding better ideas, approaches, and insights.

For example, if I look at a novelette I’m collaborating on with a friend (yurt-living goat afficianado mom and talented writer Maya Lassiter) and think to myself “God, I am a jerk for taking so long to get those edits done,” then thinking about the novelette will consist mainly of me beating myself up for not working on the novelette, which will encourage me to avoid thinking about it so as to not feel so lousy.

If by contrast I think “I can’t wait for us to get that novelette sent out!” then I’m going to be much more excited to work on it.

Your Mental Firing Line
Is it really that simple? Yes and no. Sometimes negative thinking patterns are hard to break, and sometimes they’re extremely hard to break. (For help, see my articles on broken ideas and idea repair.) What’s more, we writers have a ridiculous number of things to worry about as we write: is it too long? Too short? Is the genre a good choice? How’s the style? Are the characters coming alive? Is it keeping the reader’s interest? Is it original enough? Is it so original that no one will know what to do with it? Are publishers buying this kind of thing right now? Are publishers even going to still be in business by the time I finish it?

If you want to finish the book, though, worry about those things only if it both helps the book and doesn’t make you want to go hide under the bed. If worrying about selling the book or about how good the book is prevents you from writing it, then assume it has a chance of being terrific and forge ahead.

Different people have different tolerance levels for this kind of thing, and the final measure is how a thought makes you feel. If you really need to get something done, then thoughts should be rounded up and forced to slave away making you happy so you can do it. Those who won’t go along with the plan of encouraging you to write your book should be lined up against the wall and shot. There will be plenty of time for their children, siblings, and friends to come after you seeking revenge later–when the book is finished.

photo by colemama

No Comments

New Year’s Resolutions for Change from the Inside Out

Strategies and goals

Jason Shen has an interesting blog I discovered only very recently. Entitled “The Art of A**-Kicking,” Shen’s blog focuses on “starting things, conquering fear and kicking a** in work and life.” In late 2010, Shen posted an article on New Year’s Resolutions that I highly recommend: “How to Set Great New Year’s Resolutions (Backed by Scientific Research!)

I’ve written about New Year’s Resolutions before (for instance, see “Should You Make a New Year’s Resolution?“, “Why New Year’s Is Such a Good Time to Make a Resolution” and “Taking Stock for a New Year’s Resolution“), and you’ll find a lot of common ground between my posts and Shen’s. What struck me most about Shen’s article, though, is his emphasis on making resolutions about the way you feel. This fits with much of what I know about how people successfully change their behavior, and it struck me as an unusually useful way to come up with a resolution.

Most resolutions seem to be about achieving some external result: losing weight, quitting smoking … that kind of thing. The examples Shen gives, on the other hand, are about changing how we feel about some significant part of our lives. They raise the question “What can I do to feel happier?” or “What would make my lifestyle feel more healthy?” By focusing on how the resolution makes us feel, we get two special advantages: first, we’re focusing on the process instead of the outcome, which tends to be a more motivating approach for a variety of reasons. Second, we’re making a special point of ensuring that the actions we’re taking make us feel the way we want to feel, and that good feeling motivates us to keep pushing ahead.

Examples of result goals and feeling goals
An example: let’s say my resolution is to lose weight; it’s 3 weeks in; and I’ve lost 1.5 pounds after upping my exercise and eating a little better. That’s not bad, but it’s not very inspiring: it doesn’t really feel like I’m succeeding, just maybe sort of a little on the road to succeeding. I’m putting all my enthusiasm into the idea that some time in the future, I will have achieved something big. In the mean time, which could be a very long time, I don’t have much good news to announce.

If instead, though, my resolution is to feel more fit, then every time I complete an exercise session or choose the better food option, I’ve succeeded. It’s not a big success, but successes don’t have to be big to feel good, and anything that makes us feel good is much more motivating than something that makes us feel like a disappointment, or at best a potential someday-success.

Not affirming affirmations
As much as I like Shen’s post, I had some comments to add for my readers here on a couple of thing he mentions. One is his recommendation of affirmations, which from what I’ve seen of the research are often counter-productive. One problem is that they risk creating broken ideas, and even though an affirmation may create an upbeat falsehood (“I look great and am easy to get along with!”) it’s still a falsehood and has all of the drawbacks a falsehood usually has when we treat it in our own minds as truth.

What’s a “goal,” exactly?
I also find Shen’s distinction between “goals” and “resolutions” potentially confusing, depending on how you think about the words. He defines goals as “external targets that rely substantially on things outside of your immediate control” and talks about “resolutions” as being largely within your control. For what he calls “goals” I tend to use words like “aspirations,” and what he calls “resolutions” I and many other people interested in motivation often refer to as “goals,” for instance in the posts “One Good Way to Judge Goals: S.M.A.R.T.” and “What Kinds of Goals Really Work?” With that said, a lot of people use the word “goals” to mean exactly what he describes, too, and I think the way he talks about using the words makes plenty of sense; it’s different from how the word is used in here and some other places.

Both of us, however, are trying to point out an important distinction that the English-speaking world doesn’t usually make, that of  whether we’re talking about something that we can affect ourselves (like finishing a project) instead of something that to a large extent is outside of our control (like getting a promotion).

One thing at a time
Finally, Shen recommends keeping your goals to no more than 2 or 3 at a time. I haven’t yet come across research to shed more light on the question, but my experience and my inference from some of the literature is that adding only one new goal at a time is generally the way to go. Once you’re well on your way with that one, adding another works much more comfortably. The danger of adding too many at once is that of not having enough attention to spare to focus regularly on any of the goals, so they all fail.

The exception to this would be very simple goals, like drinking more water or making the bed in the morning. It appears that we can tackle several small changes more or less at the same time and still see success.

Photo by pennstatelive

No Comments

Your Favorite Habit and Willpower Posts

Luc's writing projects

In and among my other current writing projects, I’m beginning to put together a book based on about 100 of the posts here on LucReid.com that have the most useful information on habits and motivation. I’m quickly filling up the list with posts I like, but before I take up all the slots, I’d love to hear nominations from you, whether in comments or through the contact form over on the right here at the Web site. Any suggestions?

No Comments

Now Offering In-Person Talks on Drive, Focus, Motivation, and Habits

Speaking

Writing about the topics I write about here–habits, fulfillment, focus, goals, motivation, and all the rest–is exciting to me because I can mine useful ideas and techniques out of a wide variety of sources and try to offer them to you here in as clear and meaningful a way as I can manage. I get a similar charge out of writing articles and books (and a different but also compelling charge out of writing fiction). At times I’ve tried to offer those ideas and that kind of communication in other ways, for example by doing a limited amount of coaching, but after a great deal of study and preparation, I’m now bringing the things that I’ve learned and that I teach into a new arena: public speaking.

I’ve done public speaking before, most recently at the New Hampshire chapter of the Romance Writers of America, where I had a wonderful time and got the chance to connect with some good people. However, until recently I had never made a formal study of public speaking or set my sights on making it a regular part of my schedule. I’m now taking the lessons I’ve learned here on the road–though not very far on the road, as for now I’m sticking almost exclusively to New England, southern Quebec, and parts of upstate New York.

I’ve added a new speaking sub-site here on LucReid.com, always available through “speaking” tab above or at www.lucreid.com/speaking . There’s an explanation of my offerings, some biographical information I’ve never shared on this site before, a speaker sheet you can print off if you’re interested, a contact page, and a video page for speaking clips. If you’re curious about what I offer or just about what in the world I’m doing, I hope you’ll explore and perhaps comment or get in touch. I’m always interested in talking about these presentations with anyone who has questions or ideas.

1 Comment

Brilliance and Dreck: Using Good and Bad Writers to Self-Motivate

Writing

I’m not sure when I first began wanting to become a professional writer, only that by third grade I had that idea firmly in my head. It wasn’t until a few years later that I got a particularly awful SF book from a bookstore–I think it had a robot on the cover, one of those jobs with the dryer-vent-hose arms and the antennae on the head–and really got fired up for the job. I thought (and this may sound familiar) “God, if a lousy book like this can get published, I’m going to be rich!”

Let’s skip over the many misconceptions and sad bits of naïvete lurking in that sentence, if you don’t mind.

Good writers had at least as much influence on me as bad ones, of course: reading Tolkien and LeGuin as a kid, especially, gave me something to shoot for. Here are some accounts from writers I know who talk about authors who drove them to write in the first place, either in admiration or disgust:

Donald Mead, whose work can be found in venues like Fantasy & Science Fiction and Writers of the Future XXV, said

I suppose it was 20 years ago or more that I read Brooks’ Sword of Shannara. I found it to be an unrepentant rip-off of Lord of the Rings. I had no writing aspirations at the time, but after reading that disaster, I thought “Well, anyone can write a book.” And then it was a short step to “I can write a book.”

Funny, many years later I was on a panel at Capricon with Peter Beagle and he mentioned that he was the first reader for Sword of Shannara. He told the editor it was a rip off of LotR. The editor said “That’s great! That’s what it’s meant to be.” It was for the reader who’d read LotR eight times and just couldn’t pick it up for the ninth time.

Please note, I have nothing against Brooks. From all I’ve heard, he’s a great guy. I’m just saying if I ever make it big, it’s because of Sword of Shannara.

Incidentally, I found out it wasn’t true that “anyone can write a book.” I quickly found out I had no idea how to write; it was a lot harder than I ever imagined. I have a lot more respect for Brooks now.

SJ Driscoll’s short fiction has appeared in Asimov’sEllery Queen’s Mystery Magazine, and elsewhere, and her successful works include plays, many articles, and poems. Her inspiration was

Poe. I started reading him when I was seven, while those moronic learn-to-read first-grade textbooks were being stuffed down my throat. Death from boredom…. I never wanted to learn to read–I wanted to be outside doing things. My dad tried to teach me starting at age four, and I despised it. Then elementary school almost murdered me with dreariness. Squash, crush, stifle. Man, did Poe revive me. The way he used language! By the time I was ten, I’d read all the fiction and poetry he ever wrote. I used to think the word, “poetry,” came from his name. He taught me to use words to give the world hard edges. He started me writing stories because stories gave my strapped-down childhood a shape I could control. I was a child, I wasn’t allowed to do real things, I wasn’t free, so I wrote. I still write to give the world hard edges, to be free. Poe was the first writer to save my life. I honor him.

S Hutson Blount (Andromeda Spaceways In-Flight MagazineEscape PodBlack Gate, etc.), said

Most of my formative examples were negative. There was once a section in bookstores called “Men’s Adventure.” Mack Bolan lived there, along with Remo Williams, Dirk Pitt, Casca, and a bunch of hypothetical Third World Wars. This was where I went when I needed to reassure myself that if these guys could get published, I could too.

Melissa Mead (Sword & Sorceress and others–no relation to Donald), on the other hand, said

I first tried writing for publication after reading Marion Zimmer Bradley’s Sword & Sorceress series. I commented to my husband that it would be such fun to write for something like that, and he encouraged me to give it a try. S&S was invitation-only by then, and shortly thereafter MZB died and the series ended. By then, though, I’d had a story accepted by The First Line, and I was hooked.

Years and years later, when Norilana revived S&S, I sold a story for the 23rd volume, and the inspiration came full circle.

Yep, it was as much fun as I’d imagined. 🙂

The takeaway here, if you’ll indulge me for a second, is that if at any point we want to be more enthusiastic about some kind of work we might do, one option is to immerse ourselves for a little while in the work of someone who is either very good or very bad at whatever it is. While this may not work for anyone who has evolved beyond all feelings of indignation, superiority, or envy, for the rest of us it can provide a damn good shot in the arm.

This piece is reprinted (with improvements) from my “Brain Hacks for Writers” column at Futurismic.

No Comments

High Pressure and Losing Streaks

Handling negative emotions

A friend of mine, writer John Murphy, pointed me to this discussion, in which devotees of the computer game Starcraft talk about how they recover after a losing streak. My first thought was that the topic wouldn’t be of much use in terms of looking at how we motivate ourselves in general, because computer games are hardly the same thing as cleaning out the garage or succeeding at our chosen career, right? Fortunately, it didn’t take me long to set myself straight on that count: after all, when we are focused on a goal and are facing obstacles and frustrations, the emotional situation is very similar regardless of whether the obstacles are gaming opponents, inefficient coworkers, or unmarked boxes full of bicycle parts. (See “A Surprising Source of Insight into Self-Motivation: Video Games“)

That’s not to say that I think that all goals are equally praiseworthy. I wouldn’t expect to impress anyone with my skilled movie watching or badminton playing, and while computer games are much like anything else in terms of how motivation works, that doesn’t mean I’d especially recommend that people direct their energies there. Engrossing is not necessarily the same thing as meaningful. With that said, every healthy life has leisure activities, so let’s learn from this one.

A warning: if you do read the discussion I linked to on your own, there may be parts that are completely foreign to you. For instance, in the following passage, I had no idea whatsoever what the author was talking about (although I enjoyed the sense of disorientation that came with that):

When I lost to broods, I checked the rep and knew I needed an observer in his main to see what the hive timing was, when hive was started I threw down a stargate. If I couldnt get an obs in his base, I told myself to start a stargate at the 12 minute mark, and to try to get a third faster.

But enough jargon: to the interesting parts. Many of the suggestions and ideas in the discussion touched on meaningful self-motivation strategies that are supported by research. For example, the gamers in this discussion were very sensitive to losing streaks, as most people tend to be. Streaks can become a burden, or can be used to create more motivation (see “Harnessing a Winning Streak” and “How to Stop Having a Bad Day“).

A couple of things to know about Starcraft (although everything I know about the game I learned from that discussion thread): first, there are different kinds of games, and the highest-pressure option seems to be “Ladder,” which I gather is a highly competitive fight to move up in the rankings. Also, unlike many video games, Starcraft seems to have limited social aspects. A user called Stereo (all participants in the discussion went by user names like this) said

Yea in wc3 if you had a losing streak it didn’t seem to matter at all ’cause I could just go talk to people and jump back into a game and have some laughs …. Here it’s like a ghost town where the only thought is the last game and why you lost.

Some of the insights in the thread (and there were a number of insights from gamers paying attention to their own thoughts and feelings) touched on taking ownership of success, failure, and the emotions that result from those experiences. Qriator said

When I’m losing it’s not because the other guy’s trolling or just way better – it’s because I’m messing up my own build.

This point is a key one: our mood, effectiveness, and resilience are affected enormously by whether we assign blame for a failure to someone else or take responsibility for it ourselves. It’s not intuitive, but taking responsibility for a failure can actually be much less stressful than blaming it on another person or outside forces, because it suggests that we have some control over the situation and might be able to handle it better next time. Focusing on others’ actions is demoralizing and stressful because by and large we have no power to make people act as we think they should. RipeBanana (I know, the names are a little strange for a conversation like this, but bear with me) commented in a similar vein:

I used to get really angry when I lost a game, then get a ton more angry if I lost 2-3 (or 9) games in a row. Then one day, and I am completely serious, I told myself I wouldn’t get mad anymore.

As simple as that – and I no longer rage.

It’s interesting how emotions work. We may have little control over our immediate, initial reaction to an experience, but our emotional state from there on is powerfully influenced by our own thoughts. (See “How emotions work” and “All About Broken Ideas and Idea Repair“).

Several participants in the discussion emphasized the importance of going back to figure out what went wrong, and of concentrating not on winning, but on improving. Terminus said

… by analyze I mean going to the point in the replay that made you lose the game, and remembering to not commit that same mistake again.

You have to get into the mindset that games are no big deal. Points aren’t important, ranking isn’t important, what matters is improving …. once you improve, your ranking will naturally rise.

Jazzman takes a similar approach:

… then I watch the replays of my last couple of losses, pinpoint the earliest possible fix I can make, and proceed to go crush 3 or 4 people in a row.

Both of these players have a good chance of doing better through this process–that is, their loss may mean that they’ll actually win more in the future–because they’re pushing themselves to consciously work in a different way. (See “Practice versus Deliberate Practice“)

The last idea I’ll quote from the thread–although far from the last idea that was suggested there–is from piCKles:

There’s actually a little trick that I learned from a quarterback that I’m going to start using. You wear a rubber band around your wrist and every time you get into a new game, you snap the rubber band. This helps create a trigger in your mind … that every time you snap the rubber band you forget about everything that went wrong with any of the previous games, and that this game is fresh start and a new chance to pull off the winning play or game in this instance.

I’ve never tried this, but it makes perfect sense: any simple reminder to clear our minds and shed any lingering anxieties or anger about previous problems is likely to help us do better at the next thing. For instance, if a person has two job interviews in a row and the first one is a disaster, the ability to “snap back” and approach the second job interview fresh is likely to make a big difference for the better.

No Comments

Have to Do Something and Don’t Want to? Here Are 4 Steps to Get on Track

Strategies and goals

Recently a friend posted in an online discussion forum that she had revisions to do on a book she was writing, but didn’t feel able to do them. This is an accomplished writer, but she found that she just really doesn’t want to tackle rewriting this particular chapter.

I have some suggestions for her, because of course writing motivation is a subject in which I have a passionate interest and on which I’ve done a lot of research. Here was my response, much of which applies as well to other kinds of tasks as it does to writing.

First, may I suggest my free PDF eBook, “The Writing Engine: A Practical Guide to Writing Motivation“? There’s a motivation troubleshooting section in back that could get you some good answers within minutes

About the specific question, I wouldn’t suggest walking away and waiting for your subconscious to sort the problem out. That definitely works some of the time, but there’s a needless delay involved, your subconscious may very well be preoccupied with other things, and there’s a chance that you’ll let it linger and dread of the work will grow until the project dies for want of just a little industry. Better to face the problem head-on, get used to facing such things in that way, and get the sense of satisfaction that comes from making progress through dedication and effort.

I share the thought that it’s possible you sense something wrong with the story, in that I have been derailed in my own writing sometimes when that was the case. However, it’s also possible that you’re facing fears of what will happen to the story when it’s finished and is finally ready for you to try to sell it or get representation. A lot of us seem to get thoughts like “Is it any good? What if it’s really junk and I’ve spent all that time on it? Can I even do any better? Maybe I’m just a lousy writer. Maybe my success so far is a fluke.”

Alternatively, you might just be associating some bad feelings with the task, e.g., “Man, this is going to be a pain,” or “I don’t even know if I can fix this,” or “I hate revising!” or “Why didn’t I write it well the first time?”

Regardless of the reason, here’s what I would recommend.

1. Sit down now or at your nearest opportunity and commit to making some kind of progress on the work. You don’t have to finish it. You don’t even have to start on it. Instead …

2. Write about your situation. You can write about what you want to change, what you’re feeling about the work, both, or something else related.

3. If you’re not already carried into the work by step 2, next brainstorm as many ways as possible to change it, include ridiculous and stupid ideas, ideas that might require more work elsewhere in the book, cutting things, adding new elements, etc. (See “Writing Differently: Picking Up the Scary Tools“)

Step 2 or 3 is very likely to get you into a mood to want to work on the revision. From out here, the revision looks like nothing more than a pain in the ass. From up close, working on ideas that excite you, it may well start looking like an exciting opportunity. Alternatively, you may discover to your dismay that you think the whole project is horribly flawed, in which case it might be time for feedback, or else to just finish it, send it out, and perhaps discover that you were wrong and it’s terrific.

If Steps 1-3 don’t get you there, then I would recommend

4. Sit down, make a list of the things you need to do, figure out what the first one is, and just start doing it. Don’t worry about if you don’t feel like it, aren’t sure you can do a good job, have other things you need to do, etc. Focus on the task, ask yourself whether it’s physically possible to accomplish it, and if so, do it. Then do the next one. This isn’t forcing yourself: it’s resignation.

Picture by kxp130

3 Comments

In the April Writer Magazine: “Instant Writing Motivation”

Writing

The Writer magazine gave me my first exposure to professional writing skills and expectations years and years ago. Now, the latest issue (April 2012) includes my article “Instant Writing Motivation,” my first contribution to the magazine.

My friend Alethea Kontis, author of the novel Enchanted (coming out in May), recently got an enthusiastic review from Tamora Pierce, a writer whose work she’s loved since childhood. In a quieter way, my having something meaningful to contribute to the pages of The Writer means the same kind of thing to me that Ms. Pierce’s compliments mean to Alethea. In both cases, we’d love to be able to tell our younger selves about what we’ve accomplished so far.

In any case, I commend The Writer to you, not only for this one article, but for a wide variety of useful material on fiction and non-fiction writing, the writing life, business matters, and more. If you’re already a subscriber, I hope you enjoy the article and am very much interested in your thoughts on it.

No Comments

On Futurismic: Better Writing Through Writing About Writing

Writing

I’m wrapping up my series “Brain Hacks for Writers” at Futurismic (at least for now) with “Better Writing Through Writing About Writing,” an article on some techniques I’ve learned and tested for getting past motivational problems with writing, getting better focus, making writing-related decisions, and so on. I present five written tools writers can use to improve things and some ideas on how best to use them.

No Comments
« Older Posts


%d bloggers like this: