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Codex Writers’ Group Invites Indie Authors to Join

eBooks and Publishing

Codex Writers’ Group is an online, independent group of about 200 active members that offers a lively forum, contests, writing news, writing discussions, in-person meet-ups, critiques, promotional opportunities, and other advantages. It’s a friendly, vibrant, and supportive community whose members all qualify through writing accomplishments. The focus is on science fiction and fantasy prose, but there are some facilities for screenwriters, non-fiction writers, poets, and other writers.

I’m a little worried I’ll come off sounding like a braggart, but since these are achievements of my friends and not of my own, I hope you won’t mind me talking about some of Codexians’ successes. A large proportion of Codex members have gotten literary representation, sold books to major publishers, sold stories to major magazines, sold movie options, won contests, or won major awards since joining. One has co-authored a NY Times best-selling book. Members’ work appears in the great majority of major English language fantasy and science fiction magazines and in many other venues. In 2010, 15% of all Nebula nominations went to Codexians (I haven’t tallied 2011 yet). Codexians have won the Writers of the Future contest, the Phobos contest (R.I.P.), the Hugo, the Nebula, the Campbell, and many other awards. Membership is free and open to all writers who meet one of the qualifications, provided they’re willing to abide by the group agreements on privacy, consideration, etc.

The original means of qualifying were making at least one pro fiction sale or attending a major, by-audition-only writing workshop with industry pros (e.g., Clarion, Odyssey, Literary Boot Camp, etc.). In September we added the option of qualifying by getting representation with certain literary agencies.

As the publishing times are changing, we’ve just added a new means of qualifying to join Codex: sales of self-published fiction. Anyone who has sold at least 1,000 copies of self-published stories or novels and who has received at least $5,000 in income from these sales (note that this is income to the author, not gross sales) is now invited to join Codex. Discussions of indie publishing, eBook creation, cover design, and self-promotion have been very active on the forum lately, and more grist for the self-publishing discussion mill is always welcome.

If you’re interested in the group, please visit www.codexwriters.com .

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Sandra Tayler on Some Persistent Advantages of Plain Old Paper Books

eBooks and Publishing

Sandra Tayler, a friend from Codex, recently posted her reasons for sticking to a large extent with paper books over eBooks. While she has a much different take than I do on the issue, she makes some very meaningful points, and I especially like her ideas about children’s books, which she makes better use of than many of us parents. You can read her thoughts on the matter at http://www.onecobble.com/2011/11/05/kindle-update-why-i-still-buy-paper-books/.

Photo by altopower

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Amazon Starts Free Kindle Lending Library

eBooks and Publishing

This came as a surprise: today Amazon announced they are starting a free lending library for Kindle owners who have an Amazon Prime membership. Amazon Prime has to be one of the most unlikely bargains out there. Who thought of putting streaming movies, free shipping, and temporary eBook access together in one package (for $79 a year)? Counterintuitive or not, it’s an attractive option if you order a lot of things on the Web.

Even if you do already own a Kindle and have Amazon Prime, don’t plan on suddenly being able to read whatever you want for free. Amazon is only offering a limited number of books under the program, with a maximum of one loan per month per Prime member. With that said, though, there’s an impressive array of books available–more than 5,000 of them, including some current bestsellers.

I continue to worry about the fate of libraries as eReading spreads and the eBook world becomes more flexible and friendly to readers. Post your comments, links to articles elsewhere on the Web, or links to your own blogging on the subject below.

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What Will Amazon’s New Kindle Format Mean for Writers (and Readers)?

eBooks and Publishing

A few days ago, Amazon announced their new Kindle 8 format, the format the Kindle Fire will use to show newer Amazon books. I’ve heard some questions arise about this–whether Kindle authors will have to re-convert books, whether the older Kindle devices will support the new format and what will happen if they don’t, etc. Fortunately, digging into Amazon’s information the new format answers these questions clearly. Here are the implications for Kindle authors and some answers for readers who use the Kindle.

You won’t have to convert your existing Kindle books
The Kindle Fire and other devices and apps that support the Kindle 8 format will continue to support older Kindle formats. If you have existing books available for Kindle, the only disadvantage they’ll have if you don’t do a Kindle 8 version is not taking advantage of the new Kindle 8 features, which most non-graphic-intensive books won’t have a use for. If you have complex layouts, lots of graphics, etc., you probably will want to come out with a new, improved version.

Apps and new Kindle devices will support Kindle 8; old Kindle devices won’t
The newest generation of Kindles–the Kindle Fire, the touchscreen Kindles, and the latest keyboard Kindle–will soon support the new format. So will Kindle reader apps for iPhone, Windows, the Web, etc. Older Kindles won’t.

Older Kindles downloading newer books will just get a Kindle 7 version
Amazon is rolling out new software for formatting and previewing Kindle books, KindleGen 2 and Kindle Previewer 2. This software will automatically generate both an older Kindle 7 version of the book and a newer Kindle 8 version. If you’re reading on a device or app that supports the Kindle 8 format, you’ll get that, including any enhanced content that may be included. If you’re reading on an older Kindle–that is, any Kindle device bought previous to the launch of the Kindle Fire generation–you’ll get the older format. Kindle Previewer 2 allows viewing how the book will look on various devices, so you’ll have ample opportunity to test and tweak the appearance of your book. The only real drawback to using an older Kindle device is that there will be some content in graphics-intensive eBooks that won’t translate well to the older, more limited format.

Newer Kindle devices and apps will support the old format
Just to be clear, nothing has to change about existing Kindle books for the newer devices to read them: Kindle 7 is just another format they support.

The new format will no longer be straight Mobi
Prior to Kindle 8, the only difference between Amazon’s Kindle format and the industry standard Mobi format was Amazon’s DRM, “digital rights management” encoding that helped prevent unauthorized copying of Amazon books. For books that don’t have DRM, the current Kindle 7 format is identical to Mobi, and in fact you can take a non-DRM-protected Kindle book off a Kindle, change the extension (the last part of the file name) from .azw to .mobi, and read it on any Mobi-compatible device. With Kindle 8, it appears this will end. Amazon appears to have decided that with the direction eBooks are going, Mobi alone is too restrictive. They do seem to be using other industry standard specifications, though, including HTML 5 (the newest, most dynamic, and most design-friendly format for Web pages, which is now supported by current browsers) and CSS (a way to specify text formatting and page layout that is also supported by current browsers).

Kindle 8 format books can have a lot more design to them
In Kindle 8 format, Kindle books can have colors, fonts, and complex layouts. Frankly, I’m not very enthusiastic about this for most books. For books where text and images need to be intermingled in a particular way or that require tables or vector graphics, it will be great. For the vast majority of books, it will be completely unnecessary, and unfortunately some of these books will be designed in a way that will make them harder to read. Oh well. Just please don’t be one of the people who takes a book that is just text and tries to pretty it up with special fonts and color. From my point of view, when I read, I want to be barely aware of the text so that I can focus on what’s being said. I’m willing to bet most readers have the same basic response to overfancified text.

Kindle 8 won’t support audio and video
Amazon’s information isn’t clear about this, but at least according to this gentleman, audio and video will not be included in this version of the Kindle format.  This surprises me, actually. It seems almost a no-brainer that the Kindle Fire should be able to read books with embedded audio and video–for instance, language courses that will pronounce words when you tap on them, or a book about the history of film with pertinent clips–not that any of that would work on my 3rd generation Kindle anyway. Oh well. Maybe in Kindle 9.

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Amazon Announces $200 Tablet, $80 Kindle, and Touchscreen Kindles

eBooks and Publishing

In just the past hour or so, Amazon announced the new Kindle Fire, a $200 Android-based tablet that prioritizes reading, music, and media; they also introduced new touchscreen Kindles and a new standard Kindle (with ads and with no keyboard; the version without ads goes for $109) for $79. Prices of existing Kindle models have also dropped substantially.

The tablet and touchscreen eReaders will be available November 21st, in time for the holidays, while the new standard Kindle is available immediately.

I would be very surprised if this didn’t mean a host of new eReader users and a rise in sales of Kindle eBooks that starts immediately and builds through Christmas and (if last year is any guide) beyond.

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Seeing a Sudden Drop in Sales of Your eBook?

eBooks and Publishing

This is based only on anecdotal information from half a dozen writers or so, but some of us are seeing a sudden, sharp drop-off in sales of eBooks on Amazon over the past couple of weeks. However, I have a hard time imagining that this is a reader trend. In the absence of some major, disruptive event, it seems to me that if the general public were to change its opinion on eBooks, it would do so gradually and noisily rather than suddenly and silently.

I’ve heard speculation that Amazon may have changed some of their algorithms governing which Kindle books are shown in “also bought” categories and the like. I have no evidence that anything like this has happened, but it would fit the pattern if author-publishers suddenly saw a drop-off in sales because Amazon had changed something that (intentionally or not) favored books that sold a lot of copies and/or that came from major traditional publishers. I worry that some kind of deal may have been cut, especially as I know major publishers are desperate for eBook profits these days, what with other formats all dropping in popularity while eBooks continue to rise, and as Amazon is clearly dependent on major publishers for most of their popular book content.

All of that is nothing but speculation, of course. If it’s true, it still doesn’t signal the end of the eBook selfpub revolution–but it sure would make an already taxing process much more difficult. If major traditional publishers do ultimately come out on top and completely squeeze out author-publishers, then the new make-a-living-as-a-writer model may be pretty much the same as the old make-a-living-as-a-writer model: sell to an agent who works with a major publisher who publishes the book and gives you some or all of the royalties that are due to you. One improvement, however, would be that if many of the copies sold as eBooks, the writer would receive a much larger portion of the sales price–not nearly as much as they would realize as an author-publisher on a copy of the same book, but if major publishing houses can sell many more copies, the likelihood that a good writer can support her- or himself might go up rather than down.

It’s hard to know what to hope for: I’ve been envisioning tiny author-publisher empires in which we writers are happily giving our readers new books at good prices as we finish them, rather than being stuck in the slow and sometimes painful traditional publishing process. However, large eBook retailers are empowered to squeeze author-publishers out because we need them and they don’t especially need us, apart from a minority of especially successful eBooks for which they might make exceptions.

How are your sales? Am I Marsh-wiggling this whole topic? If your sales have dropped off, do you have any speculations to advance?

Photo by m.prinke

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An Introduction to eBook Publishing

eBooks and Publishing

A friend recently e-mailed me and asked me for some general background on eBook publishing. My answer went on for quite some time (maybe too long), but it covered a lot of basics. If you’re interested in learning about what possibilities eBooks offer to writers, you can read the cleaned-up version of that answer below.

Selfpub vs. tradpub
First, there’s the question of traditional publishing versus self-publishing, what I’ve been calling tradpub vs. selfpub, which is a very different comparison than it was even a few years ago: there are now authors (many of them already published through a traditional publisher, but others only self-published) who are getting substantial readership for their books through selfpubbing eBooks, sometimes along with a paper version (often through CreateSpace), but often not. eBook readership has grown so much and people who own eReaders are so hungry for content these days that it’s entirely possible to build a substantial career without even dealing with paper books any more.

However, the surest path to substantial eBook sales seems to be having already become popular (or at least modestly successful) through a traditional publisher.

In evaluating which route to go, you might be interested in reading “Two Roads Diverged in the Interwebs: Finding Your Place in Tradpub versus Selfpub” and/or “Traditional Publishing vs. Self-Publishing (‘Indie Publishing’) Breakdown.”

eBook stores and venues
Amazon.com leads the way with eBooks, and in virtually all cases authors I know are selling far more books through Amazon than through Barnes and Noble or Smashwords, the other two most substantial options. Many publish on Amazon for the Kindle only. Of those I know who have published for other formats, only a very few seem to be getting compensated enough for it to be worth the trouble. However, it’s hard to predict whether or not these other formats will begin to grow a lot in the foreseeable future. My general perception is that Amazon is making all the right moves and other companies are struggling without much success to catch up.

Amazon and other ePublishers generally pay the author a much higher royalty than traditional publishers. If a traditional publisher is publishing your eBook, you’ll probably get something on the order of a 25% royalty, while Amazon offers 70% for books in the $2.99 to $9.99 price range. However, traditional publishers can get reviews of your book in venues that don’t review self-published books and have other promotional advantages, so it’s certainly possible to earn more through having an eBook tradpubbed, though in other cases the higher selfpub royalty makes that the more profitable choice.

Tradpub limitations
Tradpubbed eBooks tend to be more expensive than selfpubbed ones, $9.99 vs. $.99 to $4.99 being fairly typical prices, though there is a lot of variation.

Some traditional publishers are being very greedy and/or underhanded in attempting to grab electronic rights, so it’s important to be cautious with publishing contracts these days. Even some agents are attempting similar shenanigans. With that said, of course there are a number of good and ethical people in publishing, too.

Formatting eBooks
When formatting an eBook for publication, the process is not especially difficult, but there are a few hoops to get through. While other possibilities are available, the best way to deliver your book to Amazon or another eBook selling venue is often either HTML (with certain limitations) or EPUB (the most popular standardized eBook format, which Kindles don’t read but which Amazon does allow you to use for your upload). There are a variety of tools out there that can help in this process, for instance Atlantis (a word processing program with special import and export capabilities), Sigil (a WYSIWYG eBook editor), and Calibre (an eBook reader, library manager, and converter), all free programs. Alternatively, you can pay someone to prepare your book for you. Traditional publishers, of course, do this part for you.

Smashwords has its own, very specific format for uploading books, which is somewhat burdensome, but which allows them to publish in a wide array of formats and to offer books for the Sony eReader, Apple iPhone/iPad, and other players in the eBook world whom you won’t reach through Amazon or Barnes & Noble.

Some eBook formats have DRM (digital rights management); for example, Amazon offers this as an option for all eBooks they publish. If you opt to have DRM, then readers may have trouble reading your book or transferring it legitimately under certain circumstances. If you opt not to have DRM, then it’s all easy as pie, but it also means that any computer literate reader can copy your book and do anything they like with it.

Cover design
Another important concern if you’re selfpubbing is the cover, which while it may not be very important on the eReader itself is a key part of the marketing of the book. The quality or lack of quality in the cover design may make a big difference with potential readers and purchasers in terms of judging how well the book is likely to be written, how interesting it might be, etc. There can be a lot to consider in creating covers, but if this gets overwhelming and/or if you have zero graphic design skills, this too can be hired out.

Promotion
The last essential thing to take into account in selfpubbing an eBook is promotion. If you simply post the book, few people will know of it or hear about it unless you’re already famous. Traditional advertising methods (like taking out display ads, for instance) don’t seem to work well for most books; the more successful approaches tend to involve things like getting people to review the book, talking the book up in visible places on the Web, participating in social media, giveaways, etc. In the best cases, word of mouth takes off and readers begin encouraging other readers to get it, in time.

The great majority of people who selfpub eBooks sell virtually no copies. Some of us sell regularly but not in great quantity. A small but not impossibly small number make a substantial income from them. For an extreme example, see “Some Reasons for Amanda Hocking’s Success.”

Photo by ntr23

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Jud Roberts: Nook vs. Kindle

eBooks and Publishing

Here’s a guest post from Judson Roberts, author of the Strongbow Saga trilogy of Viking novels. Jud had given his assessments of these two eReaders in an e-mail discussion, and on my request kindly agreed to put his observations into a blog post.

You can see a larger version of any image by clicking on it.


Two years ago, digital books, or e-books, were something that relatively few people had any personal experience with. Although e-books had actually been around for a number of years, they’d never really caught on. But in mid-2010, that changed. In the months leading up to Christmas, Amazon significantly reduced the price of its Kindle e-book reader. Sales of the device took off, and in January, when millions of new Kindles became activated, the rate of e-book sales exploded. It has been growing ever since.

E-books can be read on a wide variety of devices, including personal computers, tablet computers, smartphones, and dedicated e-book readers. But the tremendous growth in e-book sales that has occurred in the United States (the rate of e-book sales in overseas markets has not yet seen the same level of dramatic growth) has been, to a large extent, driven by repeated price reductions over the past year of the two most popular and widely used dedicated e-book readers: the Amazon Kindle and the Barnes & Noble Nook, particularly the top of the line Color Nook. In this column, I will offer my personal opinion and experiences with both devices (Why, you might wonder, would I own both devices? I’m an author and have published some of my books as e-books, so I use both devices in part to review my e-book editions prior to releasing them.).

First, their similarities. Neither device is intended by its parent company to be an open source e-reader. By that, I mean that each device is tied to its parent company’s store, and designed to most easily access e-books sold through that store. Unless the user is willing to undertake some work-around steps (which admittedly are not that difficult to do, and which I’ll address in more detail below), a Kindle can easily load and read only Kindle e-books purchased from Amazon; a Nook only Nook books purchased from Barnes & Noble. The actual process of purchasing an e-book is fairly similar for both devices: either on a computer, or directly from the device, you access the parent company’s website, select a book, purchase it (for the devices to be activated when purchased, both require an active account with the parent company), and the book will be sent to your device.

In addition to the parent company’s e-books, it is possible to load documents in various formats, including Microsoft Word and Adobe PDF, onto both devices. The Nook also accepts EPUB files, the mostly widely used e-book format (which Nook e-books are in), and the newer Kindles accept Mobi format files, another e-book format. Thus, if a user acquires or already possesses e-books in the PDF format, they can be manually loaded on either the Kindle or the Nook. Additionally, non-B&N EPUB e-books can be manually loaded onto the Nook, and non-Amazon Mobi format e-books can be manually loaded onto the Kindle. For the present, at least, Kindle readers do not accept EPUB files or books, and Nook Color readers do not accept Mobi files or e-books, or Amazon’s proprietary Kindle format (which is derived from the Mobi format).

Documents and non-Nook e-books are loaded onto the Nook by connecting it via a USB cable (supplied with the device) to a personal computer, and transferring or copying them from the computer to the Nook. Documents and non-Kindle e-books may be loaded onto a Kindle using the same procedure, but Amazon also offers a far easier procedure: each Kindle is assigned an email address, and some formats of documents can simply be attached to an email sent to that address, after which they will appear on the device within minutes. [Luc adds: there’s a free way to do this if you’re willing to receive your documents or eBooks through WiFi only and not through Amazon’s cellular Whispernet by sending it to a @free.kindle.com address: see your Kindle documentation for details. Also note that purchases from Amazon for the Kindle are automatically downloaded to the device.]

The Nook is WiFi only, which means that it cannot connect to the B&N website and acquire and load new books unless it is connected to a WiFi network. The Kindle is available in two different connectivity options: WiFi only, or an always-available connection via 3G cell phone networks. The latter does not require any additional charge or plan for network access and use, but the 3G versions of the Kindle device are more expensive than the WiFi only versions. Both devices, when connected, offer some degree of web browsing capability.

The two devices differ most markedly in how they operate. The Color Nook is a touchscreen device that looks much like a tablet-style computer, and runs on a version of Google’s popular Android operating system, which is widely used in non-Apple smartphones and tablet computers. Indeed, Barnes & Noble has even advertised the Color Nook as the least expensive Android tablet available. That is a dangerous claim to make, although not because of the price. Compared to other Android devices, the Color Nook is either extremely underpowered or its capabilities have been grossly limited by Barnes & Noble’s restrictive control over the device.

The B&N Color Nook versus the free Amazon Kindle app on a smartphone

The Nook versus smartphone comparison raises another flaw with the Nook. One of the great things about smartphones is the numerous apps you can load and use on them. Their variety and functions are almost endless, and there are countless Android based apps available. As an Android device, the Nook should be able to use them, too. But no—Barnes & Noble does allow a few apps, sold through their store, to be installed and used on the Nook, but the selection is limited and is strictly controlled by B&N, in their own inimitable style. For example, Epicurious is an excellent cooking website with numerous recipes that are well organized, easy to search, and are even rated by users. There is a free Epicurious app available for Android smartphones—my wife loves it, and uses it all the time. Barnes & Noble now offers the Epicurious app through their store for the Color Nook, too—but they charge $5.99 for an app that is available free for other Android devices.

The actual Kindle e-book reader is a completely different kind of device than a touchscreen Nook or smartphone. It is controlled entirely by a manual keyboard below the screen and by various manual buttons, all of which are clearly labeled as to what function they perform. While the result may not present as sleek and elegant an appearance as the Color Nook, it works well and is easy to use. If I want to access the menu, I simply press the button labeled “Menu,” then navigate the options than appear onscreen using the multi-directional navigation and select button. If I want to go to the home page, where all books currently loaded on the device are listed and accessible (and from where I can access other Kindle books I’ve purchased, but which are not currently loaded on the device), I press the “Home” button.  If I wish to advance to the next page, or go back to the previous one, I press the forward or back buttons located on both sides of the device. The Kindle is like a good tool whose design is based on considerations of function first, and appearance second. I liken it to a hammer that so perfectly fits your hand and is so well balanced that you strike true with it every time. It’s a personal preference, but give me function over flash.

Kindle and Nook e-book versions, as well as in print editions).

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Short Collections of Very Short Stories

eBooks and Publishing

I’ve been having an interesting time with my book Bam! 172 Hellaciously Quick Stories selling on Amazon for the Kindle. A while after I released it, I released a 99 cent sampler of stories from it (plus one new one) called 17 Stories About the End of the World. To my surprise, the sampler has been outselling the book even while they were temporarily at the same price, telling me that readers are interested in what kinds of stories they’re getting and aren’t likely to read otherwise.

So I’ve now broken out the remainder of the 172 stories into 8 new, short, 99 cent flash fiction collections. (I’ve also put a free first chapter of my novel Family Skulls–which itself is available for 99 cents as of this writing–at the end of each book.)

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Learning to Hate Google Books

eBooks and Publishing

Today’s guest post about Google Books is by Judson Roberts, author of the Strongbow Saga. You can find him on Amazon.com, and his Web sites are StrongbowSaga.com and JudsonRoberts.com.


Jud says: I don’t actually hate all things Google. Google is still the Internet search engine I use more than any other, I love Google maps and Google Earth, and the free Google Navigation app on my Android phone is a wondrous thing, indeed.

But I am learning to hate Google Books. Let me explain.

I’m an author and, like many other authors, have been, over the course of the past year, republishing, as self-published books, some of my titles that my original publisher had taken out of print. So far, that’s been a mostly very pleasing project. The Amazon Kindle e-book versions are doing very well–much better than they ever did when published by HarperCollins, their original publisher–and the new print-on-demand print editions are selling steadily, too. They’re now for sale as Nook books at Barnes & Noble (and that has been a much less happy experience, but the problems with B&N I’ll leave to a separate rant). So I decided my next frontier would be Google’s relatively new e-book store.

I think I can honestly say that I have never–NEVER–dealt with a more user unfriendly operation. How can an organization that prides itself on creating intuitive, user friendly programs and applications have created such a monster?

An author cannot get to the Google e-book store, to place his books up for sale there, unless he first becomes a “partner” with Google Books. What does that mean? Well, I confess that I’m not totally sure. There are pages and pages and pages of legal mumbo-jumbo you have to wade through and agree to. I’m a lawyer, and usually actually read that kind of thing, but the Google Books disclaimers, agreements, etc., etc. left my head spinning. Hopefully I have not granted Google exclusive rights to the first born child for the next three generations of my family.

Then, you have to give Google Books a copy of the print version of your book. That’s the heart of their whole plan: Google is trying to create a vast digital library of every book in print, and many now out of print, and if you want to sell e-book editions through Google, you have to give them the right to add your book to their digital library (what rights do they have over it once it’s there? I don’t know, which is scary). One option is to mail them a print copy, so they can disassemble the book and scan it into their database, but the alternative they strongly encourage is that you save them any effort by just uploading a PDF version of the book.

Okay–I do want to place my e-books in the Google e-book store, so I did. Or at least I tried. But the Google Book Uploader would not work for me. After an hour or more of digging through multiple layers of “help” pages, I discovered why. Google requires you to rename any book files you submit according to their internal naming conventions. If you do not, their Uploader will not accept them.

Think about that for a minute. And to help you, let me explain how the similar process occurs with Amazon. You enter the relevant data such as title, author, price, etc., then click on the file(s) to be uploaded to give Amazon the actual text, cover image, etc. Since you’re uploading the file within the framework of all the other data about the book you’ve provided, there’s really no possibility that the book file(s) will somehow get lost. But with Google, after you enter the title, author, etc., you also have to correctly rename any book files you upload, or they will not go through. It perhaps would be only a minor irritation if Google simply told you that up front, but when you have to dig through layers of unhelpful “help” pages to discover that fact, it’s infuriating. Plus, the Uploader guidelines say check back regularly, and within a week they’ll let you know whether your upload was successful, or you have to try again. I’m still in Google Books limbo.

And then there’s the pricing issue. Google’s e-book store sells internationally, as does Amazon’s Kindle store. With Amazon, all an author has to do is set the U.S. price in dollars, and the price in other currencies, such as British pounds or Euros, will be automatically set to correspond. With Google, you have to “activate” each individual territory, and part of that process includes setting the price there. You can either accept Google’s default option, which will set the e-book price at 80% of the print edition’s price–a price I personally feel is too high for e-book editions in most cases–or you have to manually set the price in each given territory’s currency. Thank you so much, Google, for being so author-friendly and helpful.

Photo by iansand

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