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Luc to Be Interviewed on Vermont Public Radio Today

Society and culture

vteditionThis is nothing to do with writing or habits, but at about 12:45 Eastern today, I’ll be on VPR’s Vermont Edition talking to host Jane Lindholm about the new CSA Matchmaker on our Web site, which helps Champlain Valley residents find the perfect CSA. In case you’re not familiar with the term, a CSA (“Community Supported Agriculture”) is an arrangement with a farmer to pre-pay for a season’s worth of food, often picked up weekly. The CSA member gets a good deal on great local food, and the farmer gets financial stability and regular customers. If you know anyone in the area who might benefit from joining a CSA, please send them over to the site. We’re coming up on 1,000 visits so far based on word of mouth, an article in the Free Press, and other exposure, so I think it’s working.

Anyway, I’ll be talking a little bit about the CSA Matchmaker and Localsourcers. In future we plan to expand the CSA Matchmaker to many other areas, and on May 1st we’ll be launching the Localsourcers Online Forum, a community for anyone anywhere interested in sharing information and connecting about local resources, local food, sustainability, and resilience. Come join Localsourcers (free) if you’re interested in taking part.

Later addition: here’s the link to the segment.

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Rick Novy Interviews Luc at Entropy Central

Interviews

Writer Rick Novy (FishPunk, etc.) interviewed me for his Wednesday Writer series at Entropy Central: http://www.ricknovy.com/2013/04/wednesday-writer-luc-reid/ . In the interview, we cover subjects like the origin of Codex, why I gave up music, influential writers, and what new projects I’m working on.

To my regular readers, I hope you’ll excuse how unusually quiet the site has been over the past two weeks while I’ve completed and launched the  CSA Matchmaker, which helps residents of the Champlain Valley of Vermont and New York connect with farms to get deals on great local food, and then went on a brief family vacation. The articles will start flowing again this week.

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Why People Won’t Apologize

Handling negative emotions

apology

There was an interesting story by Shankar Vedantam on NPR’s All Things Considered this morning about a new study on apologies: “Why Not Apologizing Makes You Feel Better.” Most of us have been given to believe that apologizing makes things better for the apologizer as well as the apologizee, but participants in this study tended to feel better about themselves when they flat out refused to apologize.

From that factoid we might begin to think that apologizing isn’t such a great idea after all–until we start digging a little deeper. Of course, if not apologizing makes a person feel more empowered, then it makes perfect sense that it’s often hard to get people to apologize even in life-or-death situations, like when two ethnic groups can’t make peace because one won’t apologize for what they’ve done to the other.

So feeling better in the short term is all very nice, but in the longer term not apologizing hurts relationships, loses support and understanding, and creates grudges.

That alone might be enough to keep us in the apologizing mindset, but another fact is especially striking: the people who aren’t willing to apologize tend to be the people who are more insecure or who feel more threatened in the first place. So apologizing may make us feel less empowered, but it tends to mean that we already are more empowered.

To put it another way, apologizing makes us vulnerable, and as Brené Brown points out in the TED talk I mentioned in my last post, we tend to feel like vulnerability makes us weaker–and yet other people often see voluntarily vulnerability as strength.

Not to beat this idea to death, but there are some clear illustrations in what we know about body language. If you’re feeling relaxed and confident, you’re likely to leave the front of your body exposed, physically more vulnerable to harm, by not crossing your arms or holding your hands together. The “crossed arms in front of chest” pose and even the “clasped hands in front of genitals” pose are often used as though they’re “power positions,” yet what they actually communicate–and we tend to pick up on this subconsciously, even if we don’t consciously–is insecurity. If you’re interested, take a look at some of my other articles on body language for more information.

Fun post trivia: in looking for a picture to include with this post, I couldn’t find any clear, Creative Commons-licensed picture of someone apologizing for something. The closest I was able to come was this picture of people doing general apologies to people they didn’t know for no reason having to do with themselves, while wearing paper bags over their heads. (Thanks, Neal Jennings!)

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The Power of Vulnerability

The human mind

Social work professor Brené Brown gave a startling TED talk a while back, and her basic point was this: we usually want things to go a certain way. We usually want to be able to predict what happens and for it to be something we’ve identified as good. What we don’t want is to screw up, to look bad, to open ourselves up to pain, loss, or embarrassment, or to invest ourselves in something that doesn’t pan out. Yet Brown makes a compelling case that without the willingness to be vulnerable, we shut ourselves down and make it impossible to enjoy or make the most of our lives.

To tell you the truth, I’m especially enthusiastic to share with you Dr. Brown’s following TED talk, but it’s important (and rewarding!) to see this one first. If you’re not already one of the roughly 8.5 million people (at the time of this writing) who’ve heard what she has to say, please find 20 minutes now, or as soon as it’s practical, and hear her out. I’ll follow up with a related post soon.

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My Never-Ending Project Is Now Finished

Luc's writing projects

Talk the Talk 2006

My First Published Book–and Publisher Problems
My first published book was Talk the Talk: The Slang of 65 American Subcultures, a dictionary of and guide to subculture slang in the U.S., appearing in bookstores in 2006. I received a small advance and an education in traditional publishing. My publisher’s royalty statements tended to be late when they came at all, and they didn’t appear to be very consistent or accurate. Eventually the publisher put out an entire separate printing, a hardcover version, that they neglected to mention to me–or pay me for. I didn’t know about it until I walked into my local bookstore and saw a bunch of copies of my own book. “Hardcover?” I said. “This was never released in hardcover!” Of course, it had been.

I did eventually get paid some of those royalties, but as the book came to the end of its life cycle and it started appearing on bargain tables, I turned my thoughts to rights reversion. Reversion is when a publisher assigns all of the rights for future editions of the book back to the writer, whether due to a prior arrangement, out of the goodness of their hearts, or perhaps as a peace offering to a writer whose book they have published in a separate hardcover edition without his knowledge or permission. Whatever the reason, Kindle books were starting to make a splash, and I wanted to make a proper Kindle edition of Talk the Talk.

The publisher did, kindly enough, agree to revert the rights for the book to me, and I started on an updated edition that I could release in paperback and for Kindle, figuring that I could probably have it out in a month or two.

Out with the old
Two and a half years later, I’m finally finished with that new edition: after a long time spent editing, updating, programming, formatting, checking, and tweaking, and with a cover based on a design very kindly donated by my talented artist cousin Nicholas, I’ve approved the proof, and the book is available for order.

The new edition is Talk the Talk in as ideal a form as I can imagine. The original edition was beautifully designed, with a sort of Soviet Rodeo aesthetic throughout and I thought it was very snazzy, but unfortunately it was also difficult to read and wasteful of space. Because of that design, I had to cut out a lot of material out from the original edition. I was also concerned that it wasn’t too comfortable to read in large sections (for people who wanted to do that), however pretty the design was.

interior of the original 2006 edition

interior of the original 2006 edition

In the new edition, I’ve dispensed with the Soviet Rodeo design (which I probably wouldn’t have had the rights to use anyway) and made the book much clearer and more comfortable to read. I restored a bunch of material that I’d had to cut out of the original, and removed a section the editor had really wanted that I didn’t feel belonged in the book because it was more popular culture than subculture (I’ve made the original version of that section, on hip hop slang, available for free on the book’s Web site at www.subculturetalk.com). I added some new sections on subcultures like geocachers and scrapbookers and painstakingly sourced and included well over a hundred photographs illustrating people, concepts, and items from the many subcultures in the book.

Talk the Talk 2nd editionThe old edition is 5″ x 7″ and 422 pages. The new edition, which I really like, is 5.25″ x 8″ and 620 pages. The ebook is much less expensive than the original, and the paperback costs a little more than the original did.

Shouldn’t I Feel Triumphant Now?
Completing the book doesn’t feel real to me yet. It’s true, I didn’t work consistently the whole two and a half years just on editing, expanding, illustrating, and formatting this book–but I did spend many months at all of that work. Everything took much longer than expected. Once the Kindle eBook was finally ready in January, I figured it would be a walk in the park to use the database system I had created for the book (which automatically managed cross-references, synonyms, indexing, and alphabetization) to output a paperback version. Many, many working hours later, I realized it wasn’t so simple: I needed to spend a lot of time defining and perfecting formatting for all of the different kinds of information in the book, including “see also” terms, synonyms, warning symbols, terms, definitions, examples, photographs, subculture introductions, table of contents, index entries, photo credits, and a lot more. Also, I was very, very picky: I tried to do everything in the best way I could devise.

There had briefly been a Kindle edition of the first edition put out by my original publisher: someone there had apparently forgotten to tell someone else that the rights had reverted to me, and they had just dumped their original layout into a file that made a terrible eBook. I contacted the proper authorities when that appeared and had it taken down, partly because they no longer had a right to publish the book and partly because I thought their electronic version was a mess.

Thew edition, however, has been available for Kindle since January, and the paperback went up for sale today; it will start appearing on Amazon next week.

It’s Hard to Stick With Hard Work
I tried starting several new projects while working on this book, but after a short time on each I always forced myself to stop and go back to finishing Talk the Talk. After all, the book was already “finished,” money lying on the table ready for me to scoop it up–at least, that was the idea. In any case, if I’m going to commit to a project, it doesn’t make sense for me start conflicting projects, no matter how appealing they may be, and no matter how much drudgery needs to go into the current project. Trying to do two such projects at once would only delay both of them. Still, from all of my other writing during this period I now have two mostly-completed non-fiction books in progress, a novel I started and set aside, and many completed short projects (flash fiction, short stories, and plays), some of which were published or produced in this period. I also published a collection of science fiction and fantasy short-short stories called Bam! 172 Hellaciously Quick Stories and a previously completed novel set in my native Vermont, Family Skulls.

Was This a Good Choice?
I’m proud I stuck with Talk the Talk, but it may have been stupid to do so. After all, the amount of work I had to put into the new edition was hugely more than I expected. I’ll have to sell at least a thousand copies to be adequately compensated for all the time I put into just this edition, and that’s getting nothing yet for the value of the book as it existed in the first edition.

When I started, I can’t imagine how I could have known how much labor was going to have to go into releasing this second edition. Given what I didn’t know, the choice to go ahead was obvious. If I had known the amount of work involved, I’m not sure I would have proceeded. Fortunately, I can enjoy having the book out in this form now regardless of how much time and effort it took.

Will I Be Able to Sell It On My Own?
I do have a promotion plan, one that’s quite different from what I’ve done with other books to which I own all rights, but it’s kind of hit-or-miss: it might bring many, many new readers or fail utterly. After all, I don’t have the ins that my previous publisher has. If you have any recommendations for reviewers, magazines, Web sites, or radio shows that might enjoy the book, please comment or contact me through the contact form. If the book gets extra exposure because of you, I’ll send you a free, signed copy.

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Don’t Know, Don’t Believe, or Just Don’t Care?

Strategies and goals

hanging onWhy do we so often have trouble following through with the way we want to be and act? Unfortunately for me, I face this question all the time. Having made a study of habits and motivation, I have an almost endless supply of tools and tricks to get myself out of a bad mood, figure out what to do next, or get on track–yet even though these tools and tricks have made a huge positive impact in my life, I still manage to be far from perfect. Sometimes I’m late despite knowing exactly how not to be late; sometimes I become disorganized despite having terrific organizational systems at my disposal; and sometimes I fall short on goals or fail to change in the way I’d like to. Why? It seems to come down to three kinds of problems: not knowing, not believing, or not caring.

Here’s an example: recently I’ve been doing some reading that brings me to believe that the advice we’ve been given for decades about how to fend off heart attacks and strokes and all of that is completely wrong (see my recent article “Wait–Eating Lots of Fat Is GOOD for Your Heart?“). Once I’ve decided that what I’ve read is compelling enough to act on, why wouldn’t I become instantly and completely compliant with all of the new guidelines I’ve learned? After all, it could be literally a matter of life and death.

Don’t know: Before I started reading up on the “fats good, sugars bad” perspective, I had lots of misinformation that was fed to me–and that continues to be fed to me–by mostly well-meaning nutritionists, government officials, and doctors. If I don’t have good information, I can’t very well act on it. It’s very hard to change a habit, for instance, without knowing how habits work (by the way, this site has a number of clear, specific, and carefully researched articles on that subject).

Don’t believe: There are different versions of the belief problem, but one example is plain old doubt. For instance, I might find Dr. Peter Attia’s posts about fat very compelling, but still be nervous to switch to a fat-driven diet because I have a hard time believing that almost all of the information I’d received on the subject in the past was wrong.

Worse, and perhaps even more common, is lack of belief in ourselves. If I don’t believe I can make a change in my life, then all of my efforts in that direction will begin to seem pointless, and it will be very hard to keep myself going.

My belief might be from old information I’m having trouble letting go of, or new and conflicting information, even if it’s from the same old sources or if I know the information I already have is better. Maybe I have friends, family members, coworkers, teachers, colleagues, or role models who don’t believe what I believe, and that’s making sticking to my guns harder.

Don’t care: Perhaps worst of all is when I know what to do and I believe it will make a difference, but I just don’t care at that point. Maybe I’ve had a rough day or a bad night’s sleep and don’t feel as though I can put the effort into one more thing. Maybe I’m concentrating on the things I don’t like about what I’m doing or on things that I can’t or shouldn’t do if I want to pursue that goal instead of on what I can be doing next or on what inspires me. Sometimes I might just not be able to get up any enthusiasm for working on a goal that might never be realized, or that would only have an effect in the distant future. Or it could be that I’m just distracted, preoccupied with other things and not able to spare the attention and interest.

Regardless of which of these problems I have, realizing that I’m faced with a problem in knowledge, belief, or caring makes an instant improvement. Asking myself what I don’t know can lead me to the information I need, and realizing I’m having trouble believing or caring can lead me back to whatever inspired me to believe or care in the first place. When these kinds of obstacles are addressed, then the problem vanishes as if by magic, and suddenly I’m back on track.

Photo by Sharon Morrow.

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Wait–Eating Lots of Fat Is GOOD for Your Heart?

Resources

Cholesterol molecule

The common knowledge about heart health is that fat is the enemy. In recent years we’ve tweaked that idea with the concept of “good fats” in moderation, but basically “low fat” has been the wisdom we’ve heard from doctors, the media, and the government.

Peter Attia is a surgeon with an extensive background in mathematics and statistics who has been intensively researching heart health, weight loss, and many related physiological processes for the last several years. The problem, Attia, says, is that the actual scientific research points in completely the opposite direction: it fingers carbohydrates, especially sugar, as the heart killer, the clogger of arteries and generator of flab. Fat, according to the research he’s talking about, is not just benign–it’s crucial, because we still need a source of energy in our diet, and if we cut out fats and carbohydrates we have nothing left but protein, which isn’t a great source of energy and is comparatively very expensive to boot.

So the idea is to eat enough fat to feel sated and to keep consumption of carbohydrates, especially sugar (and especially especially high-fructose corn-syrup, a.k.a. HFCS) low.

If you find yourself thinking that Attia is some kind of obsessed weirdo with unscientific ideas about fats, I suspect you may change your mind if you read some of the in-depth, highly analytical posts on the subject he has on his Web site, eatingacademy.com. (It’s just an informational site, by the way: he’s not selling anything.) Though come to think of it, it might make the case a little more clearly and effectively if you just take a look at the guy. Does he not look like he understands something about weight loss, heart health, and physiology?

Dr. Peter Attia

So I encourage you to take a look at his site. If you’re concerned about cholesterol, which was the main thing that got me interested in Attia’s writing, here are a few key points as I understand them:

  • Cholesterol is an important material our body uses to repair cells, and without it we’d die–yet as we know, it can cause heart attacks, strokes, etc.
  • Almost every cell in our body can manufacture cholesterol, and the great majority of cholesterol in our bloodstream is cholesterol our bodies have made.
  • Very little of the cholesterol we eat stays in our body: most of it isn’t absorbed. (Attia explains the how and why of this at length.)
  • Therefore, the amount of cholesterol we eat doesn’t have much to do with heart health at all.
  • By contrast, carbohydrates–especially sugars–tend to cause cholesterol to embed itself in artery walls and build up there, a condition called Atherosclerosis.
  • It’s not the total amount of cholesterol in a person’s bloodstream that indicates danger of Atherosclerosis, but rather the number of cholesterol particles, because the particles can be different sizes and carry different amounts of cholesterol, and it’s the smallest ones that are most dangerous.
  • The usual “cholesterol test” most of us have been given measures only the total amount of cholesterol and are therefore fairly useless in predicting Atherosclerosis and related conditions.
  • Less common tests that measure the number of cholesterol particles in our blood are much better indicators of heart health. (By the way, yes, “good” versus “bad” cholesterol still comes into play.)

Don’t take this from me, because I’m no expert: Attia has a lot more information on it at his site. However, I’m hoping the above conveys the idea well enough for you to decide whether or not you’re interested in hearing more about it on Attia’s site. He’s obsessed with this topic, and for good reason.

I’m not saying, by the way, that I know all this to be true and accurate. However, I’ve found the evidence compelling enough to have shifted from a low-fat diet to a low-carbohydrate (and high-fat) diet over the past couple of months. Since medical tests have revealed I have the beginning of plaque buildup in my arteries, in a way I’m literally betting my life that Attia’s right. If he is, that would explain why greatly limiting my cholesterol intake didn’t seem to help my cholesterol count, and why years of eating just the kind of diet the traditional “wisdom” on the subject dictates led me to the beginnings of Atherosclerosis.


An important, related note: if you do switch to a much lower-carb, higher-fat diet, please, please do so in a way that takes into account your carbon footprint. Red meat, for example, makes a much worse impact on climate change than plant-based foods–unless you’re getting pastured or grass-fed meat, which is close to carbon neutral . It doesn’t matter if you’re as healthy as a horse if ten years from now you and your family are drowned in the latest superstorm, or are starving due to a global famine brought on by changing climate, droughts, floods, and pests. I don’t mean to be a wet blanket here, but it’s important for me to mention it. If you’re interested in becoming part of the solution to climate change rather than the problem, check out the things I’m posting at www.faceclimatechange.com and consider switching to much more local food sources; see www.localsource.me .

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When You Hate Your Novel

Writing

The original version of this article first appeared in my column “Brain Hacks for Writers” over at the online publication Futurismic. I’ve been editing and republishing each of my BHfW columns here. This is the final one, but you can read others by clicking here.

broken pencil

Writing a novel can be a little like a troubled romance.

Perhaps it started out with a flurry of excitement. Your idea swept you away and fascinated you–this was the one! This was the novel that was going to get finished … or be your first sale … or make a name for you. At the beginning, the characters were endearing or intriguing and the plot opened up before you like a twisty road opens up before a motorcycler on a crisp fall morning.

It’s Not You; It’s My Writing
Yet now … not so much. It’s not that you don’t still love your novel. Of course you love it! Except you also hate it. Writing it is no longer exciting: it’s work, and hard work at that. Worse, you begin to see the flaws in your original ideas and character conceptions, or you begin to worry that the whole thing is dull and unoriginal. You picture yourself plowing untold hours into the book and in the end having a manuscript that gets only contempt from agents and malignant disregard from publishers, or that you put on Amazon yourself and never sell except to your mother and her bridge partner. Ugh.

What happened? Well, of course it’s possible that you veered off the course at some point, that the scene that you thought would be so entertaining has undermined your character’s original appeal, or that you’ve resolved too many problems and now there’s no suspense, or whatever. In a way, though, it doesn’t matter whether the job is to continue writing the draft you have or to go back and rewrite part of it first: in both cases you have to actually sit down and work on the thing, and you are having all kinds of trouble forcing yourself to do that on a regular basis.

(If you never do have all kinds of trouble, of course, that’s wonderful, and this column is not written specifically for you. Congratulations, but please stop gloating.)

Passion, Not Judgment
There are two key questions here, one of which I’ll dig into and the other of which I’ll pretty much ignore.

The question I intend to ignore is whether the novel is good enough or not. That’s a topic in itself, and I’ve tackled it in a separate piece called “Your Opinion and Twenty-Five Cents: Judging Your Own Writing.”

The question I’ll dig into is this: if you’ve decided that you really do want to finish the book, how do you stop hating (or resenting, or avoiding) it?

Fortunately, the basic answer to this is simple: if you think things about the book that make you feel bad, you will have a hard time writing it. If you think things about the book that make you feel good, you’ll be likely to work harder, more often, and more energetically. You’ll also be likely to think about the project more, yielding better ideas, approaches, and insights.

For example, if I look at a novelette I’m collaborating on with a friend (yurt-living goat afficianado mom and talented writer Maya Lassiter) and think to myself “God, I am a jerk for taking so long to get those edits done,” then thinking about the novelette will consist mainly of me beating myself up for not working on the novelette, which will encourage me to avoid thinking about it so as to not feel so lousy.

If by contrast I think “I can’t wait for us to get that novelette sent out!” then I’m going to be much more excited to work on it.

Your Mental Firing Line
Is it really that simple? Yes and no. Sometimes negative thinking patterns are hard to break, and sometimes they’re extremely hard to break. (For help, see my articles on broken ideas and idea repair.) What’s more, we writers have a ridiculous number of things to worry about as we write: is it too long? Too short? Is the genre a good choice? How’s the style? Are the characters coming alive? Is it keeping the reader’s interest? Is it original enough? Is it so original that no one will know what to do with it? Are publishers buying this kind of thing right now? Are publishers even going to still be in business by the time I finish it?

If you want to finish the book, though, worry about those things only if it both helps the book and doesn’t make you want to go hide under the bed. If worrying about selling the book or about how good the book is prevents you from writing it, then assume it has a chance of being terrific and forge ahead.

Different people have different tolerance levels for this kind of thing, and the final measure is how a thought makes you feel. If you really need to get something done, then thoughts should be rounded up and forced to slave away making you happy so you can do it. Those who won’t go along with the plan of encouraging you to write your book should be lined up against the wall and shot. There will be plenty of time for their children, siblings, and friends to come after you seeking revenge later–when the book is finished.

photo by colemama

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Aikido Interviews #5: It Helps Us Dump Our Egos

Interviews

This is the final post in a series  interviewing 3rd degree black belt Aikido practitioner Dwight Sora of Chicago Aikido club. While I’m interested in martial arts for their own sake, Aikido strikes me as having some unusual philosophical lessons about acceptance, change, and growth.

Previous posts in this series are Aikido Interviews, #1: Trying to Discover TruthsAikido Interviews, #2: “Lift Your Head and Say ‘Isn’t Today a Great Day?’”,  Aikido Interviews, #3: Like Learning How to Play Music, and Aikido Interviews #4: Something Had Been Activated.

Phil and Marsha

Luc: What, in your mind, are the greatest insights aikido can help teach to the world?

Dwight:

I think the best thing about aikido is that it offers a different way of looking at conflict: the idea that there is a positive and active middle ground between a purely aggressive forward-moving approach to solving a problem and being passive and surrendering. Now, accepting that as a life lesson assumes that you are willing to believe that the physical element of aikido truly possesses a social or perhaps psychological equivalent in the real world. Though, that’s okay with me, because aikido does not really “work” unless you are willing to believe in it conceptually in the first place.

Now, I’m not saying that I think an aikido approach to life is better or superior than any other. Would have an aikido-type strategy have worked for the Allies in their fight against the Axis? Would Gandhi have made faster progress if he approached things with aikido in mind in dealing with British colonialism as opposed to pure passive resistance (and I honestly don’t know what form that would have taken)? Who can say? That’s not what happened and not the approach that folks used to win.

I’ve also heard stories about some aikido instructors who have found themselves in actual fights (attempted muggings, street brawls, bar altercations, etc.).  And in each of those stories (which might be apocryphal) the results certainly didn’t seem in the spirit of aikido’s philosophy. One story I heard basically involved the instructor punching a guy in the face and breaking his nose. I see a couple of questions in that story. Was his ability to deliver that punch a product of his aikido training or simply because he knew how to fight on a fundamental level unrelated to aikido? Is this actually a story of aikido failing, since he didn’t really do any of the techniques we practice regularly? Does this story diminish the significance of aikido since someone so accomplished in the art seemed not to demonstrate the supposedly peaceful philosophy espoused?

I have met more than a few students of aikido, and some instructors, who say they think all the philosophical stuff is B.S. That the only thing that matters in the study of martial arts is if it is real.

My personal take: Aikido represents an ideal.  Its philosophy, its techniques and its approach represent a possible outcome to situations of conflict if we are willing to accept them.  And by ideal, I mean something that we should all strive to accomplish, but that does not mean it is something we must accomplish or even can accomplish (depending on the person or situation).  If you start doing some serious comparison and analysis, very little of aikido’s techniques are unique to aikido on a technical level. You can find stuff in common with judo, jujitsu, Chinese chin-na grappling arts and other things.  The human body can only be manipulated in so many ways.

Put simply, aikido is an attitude.  That’s why we have all the bowing and ceremony, a specific dress code and remove our shoes and socks.  None of those elements have anything to do with practical fighting.  If that was the case, we’d be training on concrete or open ground in our street clothes.  It’s an act of shedding our regular outward affectations in hopes that it helps us dump our egos and opens our mind up to new experiences.

Photo by Maggie Mui

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Belatedly: Free Audio of My Tall Tale “Tornado on Fire” at Escape Pod

Luc's writing projects

Escape Pod

Escape Pod

I hadn’t actually realized this when it went live, but my short tall tale “Tornado on Fire” is up on the SF and Fantasy audio site Escape Pod: http://escapepod.org/2012/11/29/ep372-flash-collection/ , read with admirable twang and charm by Mur Lafferty.

There are actual tornadoes on fire, though they’re not quite as described in the story. If you’re interested, check this out:

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